Monthly Archives: April 2010

Sempé Fi: Head Peace

03-29-10 Ana Juan Homage.JPG
_Pollux writes_:
“Homage” is the title of Ana Juan’s cover for the March 29, 2010 issue of _The New Yorker_. This issue is The Style Issue and the cover pays homage to a designer who recently passed away, “Alexander McQueen.”:http://www.alexandermcqueen.com/
Juan’s cover pays homage to not only McQueen, but to one of his Spring 2008 headpieces as well, a picture of which can be seen “here.”:http://blogs.reuters.com/oddly-enough/files/2007/10/fashion-butterfly-300.jpg
Johanna Cox of _Elle_ “asked”:http://fashion.elle.com/blog/2010/03/artist-ana-juan-recreates-mcqueen-.html Ana Juan why the Spanish artist had selected McQueen’s headpiece. “I think it was the most poetic as a metaphor of death,” Juan responded. “The idea was to express a certain melancholic beauty without forgetting the Spring flair.”
Cox writes that Juan’s cover “is the most economical but also the most hauntingly beautiful” of the tributes made to McQueen. Juan also manages to incorporate a common symbol associated with _New Yorker_ covers, a butterfly, while also maintaining her own style.
Juan’s use of coal-based whites, grays, and blacks symbolize the passage into death of a designer whose life ended so suddenly and so tragically. The burst of acrylic-based color associated with the butterflies assures us, however, that his work and the work that he will inspire, lives on.
The butterflies themselves seem to pay tribute to McQueen, fluttering and collectively reminding us that beauty still exists amidst a world filled with tragedy, drabness, and death.

A New Formula: The “Christ, What an Asshole!” Caption

_Pollux writes_:
“Don’t take it as a matter of course,” the Austrian-British philosopher Ludwig Wittgenstein once wrote, “but as a remarkable fact, that pictures and fictitious narratives give us pleasure, occupy our minds.”
Christ, what an asshole!
I refer not to Wittgenstein, but to a universal caption that could be applied to all _New Yorker_ cartoons in the magazine’s caption contest. Emily “wrote”:http://emdashes.com/2006/02/more-uncaptions-for-your-click.php on the phenomenon when it made its appearance in cyberspace.
As scientifically “demonstrated”:http://modernarthur.com/blog/christwhatanasshole.html by Charles Lavoie, “Christ, What an Asshole!” can be applied to multiple _New Yorker_ cartoons without sacrificing their humor or coherence.
The caption seems to work, creating a fictitious and humorous narrative. Perhaps it’s the shock value of using profanity for classic _New Yorker_ cartoons, or the fact that it exposes their basic formula: a bizarre figure or situation amidst a normal, workaday one.
“Christ, What an Asshole!” gives us pleasure and occupies our minds.