Category Archives: New Yorker

“The Patented Trump Palaver”: Time to Reread Singer!

Emily Gordon writes:
Anyone who’s surprised by reports about Donald Trump’s wiggly business sense–and anyone who’ll enjoy a little extra schadenfreude and outrage in this crazy-making political season–need only read Marc Singer’s classic 1997 Profile of the three-card-monte king. A sample:

Months earlier, I’d asked Trump whom he customarily confided in during moments of tribulation. “Nobody,” he said. “It’s just not my thing”–a reply that didn’t surprise me a bit. Salesmen, and Trump is nothing if not a brilliant salesman, specialize in simulated intimacy rather than the real thing. His modus operandi had a sharp focus: fly the flag, never budge from the premise that the universe revolves around you, and, above all, stay in character. The Trump tour de force–his evolution from rough-edged rich kid with Brooklyn and Queens political-clubhouse connections to an international name-brand commodity–remains, unmistakably, the most rewarding accomplishment of his ingenious career. The patented Trump palaver, a gaseous blather of “fantastic”s and “amazing”s and “terrific”s and “incredible”s and various synonyms for “biggest,” is an indispensable ingredient of the name brand. In addition to connoting a certain quality of construction, service, and security–perhaps only Trump can explicate the meaningful distinctions between “super luxury” and “super super luxury”–his eponym subliminally suggests that a building belongs to him even after it’s been sold off as condominiums.

Here’s the rest. Enjoy.

And related, in Salon today: “The biggest political lesson of the Trump ‘campaign.'” As Alex Pareene writes, “Trump realized that even though his ego was pushing him further and further into politics, he is much better at cashing checks from NBC for playing a billionaire than actually being a billionaire real estate mogul.”

Steve Martin and Deborah Solomon Bring Down the House, Sort Of

Martin Schneider writes:
It was a curious scene Monday night at 92Y. Steve Martin and Deborah Solomon, who is responsible for the “Questions For” feature in The New York Times Magazine, were slated to entertain a mostly filled Kaufmann Concert Hall (and, via simulcast, many other viewers at synagogues around the country) with an hour or so of lively chat.
It took only a few minutes for Solomon to alienate the audience thoroughly.
Solomon’s strategy was to treat the event like a book report, covering, almost chapter by chapter, Martin’s new novel about the art world, An Object of Beauty. As Martin pointed out, it was wise to assume that the percentage of spectators who had read the book, published only a few days earlier, was “zero,” making in-depth discussion of the characters’ foibles something less than the optimal plan. That did not stop Solomon.
92Y’s status as a specifically Jewish center of culture is usually best left unmentioned during events (it is a thoroughly ecumenical center), so it seemed a breach of decorum to praise Martin for making positive characters of the Nathansons, a Jewish art-dealer couple in the book, while reserving his satirical barbs for a gentile couple named Boggs. Later, Solomon wanted to relate a complicated sequence late in the book in which a character dons Joseph Beuys’s “Felt Suit.”
It was about at this point that 92Y, to its credit, attempted to steer the discourse to more fruitful terrain. A young lady strode onstage and handed Solomon a card: “Ask him about his career.” Cue thunderous applause.
For his part, Martin, always the consummately professional entertainer, understood immediately that Solomon had lost the audience, and poked fun at her (apparently they are friendly offstage). When, a bit later, the same young lady handed Solomon the audience Q&A cards, Martin deadpanned, “Go back to the book.”
To be honest, I’m not the biggest Steve Martin fan. There’s little doubt that he’s ridiculously talented, works hard, has a keen intelligence, and has succeeded in a variety of fields in addition to comedic acting, including fiction and banjo music. Credit to him for all that. Generally, however, his comedy seems somewhat overrehearsed and “cold” to me, and cast of mind in other arenas strike me as a bit whitebread.
Still, the man is good, as evidenced, for instance, by his “leaked”/hilarious tour rider, which he released over the summer. It’s a testament to his skills that even I, a skeptic, found myself emailing that link to my friends—it was that brilliantly executed.
So, long story short, the event was a bit of a dud, but that shouldn’t reflect poorly on Steve Martin or 92Y.
Update: 92Y has offered to refund ticketholders. Classy move.

Calvin Trillin and Adam Gopnik at 92Y

Martin Schneider writes:
I’m back in New York after a few months in Cleveland, Ohio (which I vastly enjoyed); one of the consolations of my return to the East Coast is the ability to visit New York’s indomitable cultural center, 92nd Street Y.
On Sunday, November 7, I went to see Calvin Trillin and Adam Gopnik discuss “The Writing Life” in Buttenwieser Hall on the second floor. The two writers, both closely associated with The New Yorker, opted (for the most part) to jettison the given theme and trade anecdotes about Manhattan and their shared Jewish heritage, which was fine by me.
Though they were billed as equals, Gopnik subtly played moderator to Trillin’s guest, giving Trillin a chance to spin some entertaining yarns—and intermittently to return the favor. As Trillin is something of a national treasure, this seemed only sensible. The session resists chronological narration but did yield a good many gems.
Trillin was wearing a handsome blue tie with red buffalo (pl.) on it, which he described as his “tribute to Carl Paladino.”
Apparently both men trace their ancestry to Ukraine. Gopnik’s forebears went to Canada via Ellis Island, whereas Trillin’s grandfather entered elsewhere: “We wouldn’t have anything to do with Ellis Island, so we went to Galveston.” Trillin spoke of the Galveston Movement, a pre-WWI project designed to bring Russian Jews to the American heartland. With a proviso: the newly arrived Jews were barred from staying in Galveston itself: “My family did not come here on a wave of acclamation.” So they moved to Missouri: St. Joseph and later Kansas City.
Trillin cited an article—was it in a MoMA publication?—that purported to establish that all those stories you hear about people’s names being changed by helpful and ignorant Ellis Island staff are false! I’d love to read more about this—if anyone knows of the article, please post a comment.
Trillin described his own childhood as “Leave It to Beaver as played by a troupe that had just completed a run of Fiddler on the Roof.”
Both Trillin and Gopnik grew up rooting for baseball teams that no longer exist: the Kansas City Blues and the Montreal Expos, respectively. Most of our audience, including myself, will presumably have a better command of the details of the latter organization.
During the QA section, an audience member asked the two writers to name a favorite piece they had written. Trillin named “Remembrance of Moderates Past” (3/21/77 issue), written on the occasion of the Carter administration’s arrival in Washington, D.C. (Gopnik’s favorite Trillin piece, by the way, is “Buying and Selling Along Route 1,” from the 11/15/69 issue.) Gopnik’s favorite piece of his own is “Angels Dining at the Ritz,” one of the late chapters in Paris to the Moon, but I haven’t established if or when that appeared in The New Yorker.
There was much more in the way of witty repartee, but my energies flag. Watch this space for more on 92Y events past and future.

What You Missed (or Didn’t) at the New Yorker Festival

Martin Schneider writes:
Another New Yorker Festival has come and gone, and it must be said it was a good one. We posted last week about the existence of Fora.tv’s pay-per-view videos of a good number of the events. After the jump we post some tasty snippets to whet your appetite.
Lorrie Moore:

E. Annie Proulx:

Dave Eggers:

Joyce Carol Oates:

Michael Chabon and Zadie Smith:

Paul Krugman:

Ken Auletta:

Stephen King:

Fashion Forward:

James Surowiecki:

Cynthia Nixon on Gay Marriage:

Calvin Trillin:

Malcolm Gladwell:

Ian Frazier:

Jonah Lehrer:

New Yorker Festival Starts Today!

Martin Schneider writes:
There’s only one day of the year we can run that headline, and today is that day.
Emily and I will be attending events all weekend. I’ll be at tonight’s “Living History” event with E. Annie Proulx, E.L. Doctorow, and Peter Carey, and I’ll be seeing Bill Simmons and Neil Gaiman, among others. Emily will be at the James Taylor, Pee-Wee Herman (they’re listing it as “Paul Reubens,” and we get that, but hey, it’s The Pee-Wee Herman Show on Broadway!), and Sympathy for Delicious events, and other ones too. And we may have guest writers weighing in.
Remember: as it did last year, the New Yorker Festival is offering a small number of tickets to all events during the weekend, so a lucky few of you will still get in!
Here’s to another great festival! See you there!

Watch the New Yorker Festival Live–From Anywhere!

Martin Schneider writes:
Inevitably, a magazine with the reach of The New Yorker has a substantial audience across the country and in other countries. Lots of people want to participate in the New Yorker Festival, which takes place October 1-3, but are simply too far away. Those people are likely to rejoice in Fora.tv.
Fora.tv will be streaming a total of 18 NYF events as they happen (click on the link above for the exact list). You can purchase access to single events ($4.95 each) or the entire package ($59.95). Then you can watch the events as they are happening as well as on demand for 30 days after the festival. According to Fora.tv, live access “includes interactive chat, Twitter stream and simultaneous viewing—yes, you can purchase multiple programs that take place at the same time.”
Good luck to both Fora.tv and its eager customers!

2010 New Yorker Festival Schedule!

The entire staff of Emdashes is excited to bring this year’s New Yorker Festival schedule. It looks like another terrific year, and we hope to see you there! There are more details on all of the events here.
Tickets for The New Yorker Festival will go on sale at 12 noon E.T. on Friday, September 10th. Click here for details.
Friday, October 1
6 p.m.
“The Social Network” (Jesse Eisenberg, Justin Timberlake, Aaron Sorkin)
Directors Guild Theatre ($30)
7 p.m.
James Taylor
Acura at SIR Stage37 ($35)
Alec Baldwin
SVA Theatre 1 ($35)
“Living History” (Peter Carey, E. L. Doctorow, Annie Proulx)
SVA Theatre 2 ($25)
Lorrie Moore
(Le) Poisson Rouge ($25)
9:30 p.m.
Possessed (Jonathan Safran Foer, Orhan Pamuk)
Directors Guild Theatre ($25)
Michael Chabon and Zadie Smith
Acura at SIR Stage37 ($25)
Giving Voice (Uwem Akpan, Edwidge Danticat, Dave Eggers)
SVA Theatre 1 ($25)
The Parent Trap (Mary Karr, Tobias Wolff)
SVA Theatre 2 ($25)
Sex and Violence (Junot Díaz, Joyce Carol Oates, Wells Tower)
(Le) Poisson Rouge ($25)
Saturday, October 2
10 a.m.
The Tea Party (Dick Armey, Jill Lepore, Rick Santelli, Anthony Weiner)
Directors Guild Theatre ($30)
Paul Krugman
Acura at SIR Stage37 ($30)
Atul Gawande
SVA Theatre 1 ($30)
Ken Auletta
SVA Theatre 2 ($30)
1 p.m.
Bill Simmons
Directors Guild Theatre ($30)
The Vampire Revival (Noël Carroll, Stephen King, Matt Reeves, Melissa Rosenberg)
Acura at SIR Stage37 ($30)
Fashion Forward (Maria Cornejo, Naeem Khan, Phillip Lim, David Neville, Marcus Wainwright)
SVA Theatre 1 ($30)
James Surowiecki
SVA Theatre 2 ($30)
4 p.m.
Natural Disasters (Susan Hough, Charles Mandeville, Joshua Wurman, Don Yeomans)
Directors Guild Theatre ($30)
David Simon
Acura at SIR Stage37 ($30)
The Case for Gay Marriage (David Boies and other panelists, to be announced)
SVA Theatre 1 ($30)
Paul Goldberger
SVA Theatre 2 ($30)
6:30 p.m.
Tales Out of School 2 (David Grann, Jane Mayer, Susan Orlean, Jeffrey Toobin, Calvin Trillin)
(Le) Poisson Rouge ($50)
7 p.m.
Werner Herzog
Directors Guild Theatre ($35)
Yo-Yo Ma
Acura at SIR Stage37 ($35)
Paul Reubens
SVA Theatre 1 ($35)
Patricia Clarkson
SVA Theatre 2 ($35)
8 p.m.
“The Human Scale” (Lawrence Wright)
3LD Art & Technology Center ($35)
10 p.m.
“Sympathy for Delicious” (Mark Ruffalo, Christopher Thornton)
Directors Guild Theatre ($30)
Regina Spektor
Acura at SIR Stage37 ($35)
Andrew Bujalski, Greta Gerwig, and Joe Swanberg
SVA Theatre 2 ($30)
Sunday, October 3
10 a.m.
Morning at the Frick (Peter Schjeldahl)
The Frick Collection ($60)
Tugboat Manhattan (Burkhard Bilger)
South Street Seaport Museum ($120)
11 a.m.
Come Hungry (Calvin Trillin)
Ticket buyers will be contacted concerning the location. ($120)
Steve Carell
Acura at SIR Stage37 ($30)
12 noon
Inside the Artist’s Studio (Platon)
Ticket buyers will be contacted concerning the location. ($60)
A Visit to the Glass House (Paul Goldberger)
The Philip Johnson Glass House ($150)
1 p.m.
Neil Gaiman
Directors Guild Theatre ($30)
The Cartoon Caption Game (Robert Mankoff, Matthew Diffee, Carolita Johnson, Barbara Smaller)
Condé Nast Executive Dining Room ($35)
Malcolm Gladwell
SVA Theatre 1 ($30)
Ian Frazier
SVA Theatre 2 ($30)
4 p.m.
Verses (John Ashbery, Anne Carson, Cynthia Cruz, Jorie Graham, Tracy K. Smith, Paul Muldoon)
Directors Guild Theatre ($20)
Live from New York (Seth Meyers and others)
Acura at SIR Stage37 ($30)
Your Brain on the Internet (Nicholson Baker, Elizabeth Phelps, Jonah Lehrer, Jaron Lanier)
SVA Theatre 1 ($30)
Alex Ross
SVA Theatre 2 ($30)

Two Quick Hits: Orlean and Wright

Martin Schneider writes:
Over the past three weeks or so, I encountered two New Yorker contributors in unexpected venues, and in both cases the takeaway was that the person might be the best at what they do. I thought I’d pass those on.
On August 11, the vastly entertaining mostly-political discussion website bloggingheads.tv posted a “diavlog” with Elizabeth Gilbert (Eat, Pray, Love) and Susan Orlean (billed as “Julia Roberts” and “Meryl Streep,” har har). It’s the third dicussion for bloggingheads.tv Orlean has done—the first two were with Kurt Andersen and Walter Kirn (“George Clooney”)—and she has a tremendous knack for “casual” conversation that is in fact studded with wit and wisdom. She is really good at these things.
At the 2007 New Yorker Festival, I had the great luck to see Orlean and Mark Singer conduct a “master class” in the art of writing profiles; that session was transcendently wonderful, one of the best NYF events I’ve ever seen, particularly for a New Yorker junkie. Orlean is deceptive: At first blush, she gives off a mildly distracted, breezy impression, but the more you listen, the more you realize how incredibly high this woman’s signal-to-noise ratio is. Over and over again, one is struck by the sheer number of acute observations, proferred with grace and insight.

Last week, at Talking Points Memo, Josh Marshall posted a “bleg” in which he asked his readers for guidance in finding a good, non-polemiized narrative account of the events leading up to 9/11. The overwhelming winner (as a piece of journalism) was Lawrence Wright’s The Looming Tower. This was a revelation to me, on a few levels. First, I had not actually known that that was the subject of The Looming Tower. But more interestingly, according to TPM’s readers, The Looming Tower is pretty much the only thorough, journalistic treatment of the 9/11 attacks.
Also in 2007, Emily and I got to see Wright perform his one-man show, My Trip to Al-Qaeda, which was penetrating and fascinating and troubling. Good news, then, that Wright has a follow-up due to premiere at the New Yorker Festival and run in New York City through October.
So thank you. Orlean and Wright, for so consistently defining excellence.

2010 New Yorker Festival Details Released

Martin Schneider writes:
The New Yorker has announced the program for the 2010 New Yorker Festival, scheduled for October 1-3. As always, the event will feature author events on the Friday, followed by a wide variety of events over the next two days.
The 2010 New Yorker Festival
New York, August 26, 2010 – During the weekend of October 1st through October 3rd, The New Yorker will present its eleventh annual Festival, a three-day celebration that will once again bring together a distinguished group of writers, thinkers, artists, and other luminaries from fields including film, music, politics, economics, architecture, fashion, and literature. Since the Festival’s inception, events have sold out quickly, drawing close to twenty thousand people from around the world every year. The full program guide will be included in the September 13, 2010, issue of the magazine, on newsstands September 6th, and will be available at newyorker.com/festival.
Among this year’s highlights:
Interviews with the actor Alec Baldwin; the actor Steve Carell; the actress Patricia Clarkson; the New Yorker staff writer Ian Frazier; the author Neil Gaiman; the actor John Goodman; the director Werner Herzog; the economist Paul Krugman; the cellist Yo-Yo Ma; the co-creator of Treme, David Simon; the actor Paul Reubens; the best-selling author and ESPN.com columnist Bill Simmons; the singer-songwriter and pianist Regina Spektor; and the singer-songwriter James Taylor.
New Yorker writers David Grann, Jane Mayer, Susan Orlean, Jeffrey Toobin, and Calvin Trillin will gather for an evening of stories about life at the magazine, presented in conjunction with the Moth performance series and hosted by Andy Borowitz.
A panel, Live from New York, will feature Seth Meyers, the head writer for Saturday Night Live, and other cast members, to be announced; the event will be moderated by David Remnick.
In a series of New Yorker Talks, Ken Auletta will investigate the impact that Google and the Internet have had on the media (and everyone else); Atul Gawande will discuss end-of-life care; Malcolm Gladwell will look at the magical year of 1975; Paul Goldberger will explain why architecture matters; Alex Ross will explore the bass lines of music history; and James Surowiecki will analyze talent and context in a random world.
Friday Night Fiction events will feature discussions among New Yorker contributors Peter Carey, E.L. Doctorow, and Annie Proulx; Jonathan Safran Foer and Orhan Pamuk; Junot Díaz, Joyce Carol Oates, and Wells Tower; Uwem Akpan, Edwidge Danticat, and Dave Eggers; and Mary Karr and Tobias Wolff. Michael Chabon and Zadie Smith will read from their work, and Lorrie Moore will talk with Deborah Treisman.
An opening-night screening of David Fincher’s film The Social Network, about the founding of Facebook, will be followed by a discussion with the film’s stars, Jesse Eisenberg and Justin Timberlake, and the screenwriter Aaron Sorkin.
The Tea Party, a panel featuring Dick Armey, the chairman of FreedomWorks; Jill Lepore, a contributing writer at The New Yorker; Rick Santelli, the on-air editor at CNBC; and Anthony Weiner, the New York congressman, will explore the rise of the right. The event will be moderated by David Remnick.
About Town excursions will include breakfast and a tugboat ride with the vice-president of McAllister Towing Buckley McAllister, the tugboat owner and operator George Matteson, and Burkhard Bilger; a tour of Philip Johnson’s Glass House, followed by brunch and a discussion with Paul Goldberger; a tour of Platon’s studio, followed by drinks and conversation with Elisabeth Biondi; Peter Schjeldahl’s third annual tour of the Frick Collection, before public hours begin; and a tasting walk from Greenwich Village to Chinatown with Calvin Trillin.
The Fashion Forward panel will feature designers of “the new guard”: Maria Cornejo, Naeem Khan, Phillip Lim, and David Neville and Marcus Wainwright. The event will be moderated by Judith Thurman.
A live version of The New Yorker‘s Cartoon Caption Contest will feature judges and cartoonists Matthew Diffee, Carolita Johnson, and Barbara Smaller; the event will be hosted by Robert Mankoff.
A panel on gay marriage will feature David Boies and others, to be announced; the event will be moderated by Jeffrey Toobin.
The Vampire Revival, a panel moderated by Joan Acocella, will feature Noël Carroll, Distinguished Professor of Philosophy at the CUNY Graduate Center; the writer Stephen King; Matt Reeves, the writer and director of the upcoming film Let Me In; and Melissa Rosenberg, the screenwriter for all three films in the Twilight saga, as well as the upcoming fourth.
Lawrence Wright will perform his new one-man show, The Human Scale. The show is based on Wright’s New Yorker article, “Captives” about the crisis in Gaza. This will be the first performance of a four-week run.
After a sneak-preview screening of Sympathy for Delicious, which won the U.S. Dramatic Special Jury Prize at the 2010 Sundance Film Festival, Rebecca Mead will talk with the film’s creative team and co-stars, Mark Ruffalo and Christopher Thornton.
Andrew Bujalski, who wrote and directed Funny Ha Ha; Greta Gerwig, who starred in Noah Baumbach’s Greenberg; and Joe Swanberg, who directed and co-wrote Hannah Takes the Stairs, will discuss the mumblecore generation with Richard Brody.
A panel, Natural Disasters, moderated by David Grann, will feature Susan Hough, a seismologist with the Southern California Earthquake Center; Charles Mandeville, a volcanologist, geochemist and senior research scientist in the American Museum of Natural History’s Department of Earth and Planetary Sciences; Joshua Wurman, an atmospheric scientist who studies tornadoes and hurricanes; and Don Yeomans, the manager of the Near-Earth Object Program at NASA.
Verses/An Afternoon of Poetry will feature New Yorker contributors John Ashbery, Anne Carson, Cynthia Cruz, Jorie Graham, and Tracy K. Smith, who will read from their work; the event will be hosted by Paul Muldoon.
Book signings at McNally Jackson will include Dick Armey, Peter Carey, Roz Chast, Edwidge Danticat, Dave Eggers, Jonathan Safran Foer, Ian Frazier, Atul Gawande, Paul Goldberger, Jorie Graham; David Grann, Mary Karr, Jaron Lanier, Jill Lepore, Paul Muldoon, Joyce Carol Oates, Alex Ross, Zadie Smith, Michael Specter, and Wells Tower.
Tickets will go on sale on Friday, September 10th, at 12 noon E.T., and may be purchased at newyorker.com/festival or by calling 800-440-6974. Ten per cent of tickets to all events will be available at the SVA Theatre, 333 West 23rd Street (between Eighth and Ninth Avenues). These tickets will be sold on Friday, October 1st, from 12 noon to 4 P.M. A limited number of tickets will be sold at the door to each event one hour before start time, with the exception of Morning at the Frick, Come Hungry, Inside the Artist’s Studio, A Visit to the Glass House, The Cartoon Caption Game, and Tugboat Manhattan.
Download the New Yorker Festival app and get the complete program, ticket information, neighborhood guides from the editors of Goings On About Town, and more; for iPhone, iPod Touch, and Android devices. Follow us on Twitter (@NewYorkerFest) throughout the weekend to receive updates, tips, and information about last-minute tickets. Check in to Festival events on Foursquare, and follow The New Yorker (foursquare.com/newyorker) for tips about the Festival and other sites about town. And visit the Festival blog (newyorker.com/online/blogs/festival) for recaps, announcements, and amusements.
HSBC is the presenting sponsor of The New Yorker Festival. The Festival is sponsored by American Airlines, Acura, The Canadian Tourism Commission, Delta Faucet, Health & Disability Advocates, LU, Champagne Louis Roederer, and Westin.

Even When It’s Bold Italic: Typefaces to Love and Serenade

“Obsessing about fonts is a form of procrastination, so of course I have indulged in it ever since I graduated from a TRS-80 Model III to a Macintosh.” –Caleb Crain
“The main thing, though, is to use some nonproportional typewriter-style font–you need the sentences to look their worst until the dress rehearsal of the galleys, when all the serifs come out dancing.”
–Nicholson Baker
Emily Gordon writes:
My Chicago actor pal, taking a break from rehearsing Speed-the-Plow, just pointed out this 2007 gem from Slate: “My Favorite Font: Anne Fadiman, Jonathan Lethem, Richard Posner, and others reveal what font they compose in and why.” I wonder if they’ve all changed their minds by now? Caleb, how about you?
That thought sent me searching for this hilarious Jessica Hische post from earlier this year, a mini-autobiography of a typophile called “My Evolution of Type Taste from Grade School to Present”–click to enlarge and read her arch asides on questionable font attractions. Meanwhile, ambling along the googleway, I landed on this post about various other designers’ favorite faces.
All this brought me, musically and giddily, back to the song that is in my head 1) every time I see my sunscreen, which is called Sport Face, and 2) every time I hear Lady Gaga’s “Poker Face.” Yes, it’s DD40’s (Jason Kinney and Mark Searcy) Gaga-meets-typographer beards spectacular, “Neutra Face.” Here’s what Michael Conroy at the Wired U.K. blog wrote about it:

In a video that smacks of “it’s Friday afternoon, why not?” four guys have remixed Lady GaGa’s Poker Face into an homage to Neutraface, the light and airy modern font that I’m sure you’re all very familiar with…or perhaps not.

Either way, the sight of four hirsute men reimagining the Poker Face clip to perfection (“You’ll read my, you can read my Neutraface…even if it’s bold italic”) is sure to make you smile, not least their brilliantly choreographed moves portraying “bold” and “italic”, which should be licensed for use on dance floors everywhere.

Check out this and other songs DD40 have released – on cassette tape, no less – at their website.

I’ve seen this video several dozen times since it first rocked the world of fonty montys everywhere, and I still think it’s incredibly funny. And (as the YouTube commenters well know) damn sexy, too!


Speaking of design and Art, and Speed-the-Plow, aren’t these handsome posters for the American Theater Company’s new season? (Click on “the plays.”) If anyone knows who the designer is, let me know. (Update: DesignScout. Thanks Lance!) I will not be missing this (R-rated! sassy!) production of Grease.
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Finally, check out this fantastic 1932 map of Harlem nightclubs, drawn by the cartoonist Elmer Simms Campbell. I love this for many reasons, including the appropriately prime spots for Cab Calloway and the Savoy Ballroom, and the hand-lettering is just so. Happy procrastinating!