Monthly Archives: June 2005

Daily Wilsey: Right next to the right one

Done with the book. Now there are just more questions. As my friend Elizabeth has noted, though, since it takes place more or less in the present and concerns a lot of well-known people, one can keep discovering more details to partly mask the pain of having finished reading. And, of course, the life continues, and we can read Wilsey’s funny, sassy, wry notes in McSweeney’s on his ongoing and occasionally surreal book tour, or google something else and happen on his skating rhapsody/memorial from September 2003. It shares a few observations with a long passage in Oh the Glory of It All, then takes off into an analysis of Tony Hawk, Thrasher magazine, and skater ethics (follow the link for the whole piece):

The steepest hills in San Francisco—where I grew up and learned to skateboard—lead up to and around Russian Hill, which isn’t a hill but a series of hills. The steepest of these crests is in the middle of Filbert Street, between Hyde and Leavenworth.

The road seems seems to disappear mid-block, like an incomplete section of elevated freeway. It looks as if the street is dangling 300 meters in the air. When you drive a car up to the lip, it drops too steeply to see over the hood. The drop is demarcated by two yellow-and-black signs that say: “Steep grade ahead, buses and large trucks not advisable; sharp crest, 10 miles per hour.”

My best friend, a boy named Blane Morf who is now dead, got a skateboard while I was away at boarding school. When I came home for summer holidays—on probation for a D-minus average, largely attributable to the fact that I was harassed mercilessly for being from San Francisco (making me a “fag”)—I discovered that he was a skater. Blane didn’t know any other skaters, since there weren’t many others. And, even if there had been, the kind of person who is drawn to skateboarding is the kind of person who is not given to sociability.

Skateboarders are lonely. Skateboarders are not well loved. I was lonely and not well loved. I tried his board. He taught me a few things. It was no fun watching while the other skated. He begged me to get my own. I got some money out of my mother (guilty about boarding school), went down to the skate shop, and bought myself a skateboard. Then I climbed to the top of Russian Hill.

I set down my board, stepped on, pushed off. My plan was to roll the whole slope and use the flat to slow down gradually before the intersection. I had no back-up plan. The acceleration was instant. In a matter of seconds, I was moving faster than my legs had ever taken me. After 10 meters, I was moving faster than I’d moved outside of a car. Faster.

Wilsey ends the book saying that he can’t wait to write about something besides himself. (As Delmore Schwartz once said, “Someone’s boring me. I think it’s me.”) That’s good. Then I hope he writes some more about himself. The book, nearly 500 pages as it is, isn’t long enough for the things he still has to say. If Wilsey were writing this he’d acknowledge the corniness of the metaphor as soon as he typed it, but it’s also true: If you can haul yourself up to this kind of crest, only then do you get to fly down, shrieking with gladness at being so free to plummet and crash, to beat the record, to steer, wobble, and sing.

Get thrashed [London Review of Books, via Fairfax]

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New thoughts on “A New Beginning”

Via the esteemed Greg.org (who has his own commentary as well), a lively discussion on the Wired New York Forum about Paul Goldberger’s recent piece on the wrinkles of Ground Zero real estate. The full text of Goldberger’s piece is in the post.

Up From Zero [Goldberger, New Yorker, 7/29/02]
Groundwork: How the future of Ground Zero is being resolved [Goldberger, New Yorker, 5/20/02]

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The cartoon caption contest’s internet tendency

The fortunately unstoppable McSweeneysification of the magazine continues, or vice versa, as gold medalist Roy Futterman has a little affectionate fun with the genre:

FUTURE WINNERS
OF THE NEW YORKER CARTOON
CAPTION CONTEST.

By Roy Futterman

“You are doing something unusual, Harold!”

“I certainly am in a bar with other businessmen.”

“This desert island is a bummer.”

“I love being wealthy in the Hamptons.”

“I’m saying a cliché in a different context, Pam.”

“Boy, I sure do like intercourse.”

“I’m thinking something incongruous to what I’m doing.”

“Wanda, we are doing some nutty things in this picture!”

McSweeney’s [Main page]

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The Flying Brothers Shawn

Good tidings from Playbill News:

Jennifer Jason Leigh will star in Mike Leigh’s Abigail’s Party as part of The New Group’s new season Off-Broadway, which will also include the Wallace Shawn-Allen Shawn world premiere play-opera The Music Teacher.

New Group artistic director Scott Elliott will stage the work by Leigh (Smelling a Rat, Naked, Vera Drake) for his company’s 2005-2006 season, beginning previews in November at Theatre Row. More casting is yet to be announced.

Abigail’s Party, which centers on a dinner party gone awry, was first produced in London in 1977 at the Hampstead Theatre. It then became popular through the BBC television adaptation. The work was recently revived in 2002 at the New Ambassador’s Theatre, earning a nomination for an Olivier Theatre Award for Best Revival of 2002.

Actress Leigh (no relation to the British scribe) has appeared on Broadway in Cabaret and Proof. She is best known for her film work, appearing in such movies as Fast Times at Ridgemont High, Rush, Single White Female, Dolores Claiborne, Mrs. Parker and the Vicious Circle and The Anniversary Party, which she co-wrote and co-directed with co-star Alan Cumming.

In February 2006, the Off-Broadway troupe will again team with actor-playwright Wallace Shawn on the world premiere of The Music Teacher. Shawn pens the new work billed as a “play-opera” which features music by his brother Allen Shawn. Casting and director are to be announced.

Shawn has collaborated with director Elliott as an actor on Hurlyburly, as a playwright for the revival of his Aunt Dan and Lemon and for the new adaptation of The Threepenny Opera, to be presented on Broadway next season. Other plays Shawn has penned include Marie and Bruce, The Designated Mourner, The Fever and Thought In Three Parts.

For more information on The New Group, visit the website at http://www.thenewgroup.org.

Speaking of Fast Times, where are our old flames Judge Reinhold and Phoebe Cates? Don’t they get their ’80s revivial, too? I know Reinhold was Aaron the Close Talker on Seinfeld, and he was tremendous, but what’s going on now? Quentin Tarantino, are you listening? Or at least John Waters?

Leigh in Leigh’s Party, Shawn and Shawn’s Music Teacher Slated for New New Group Season [Playbill News]

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Make your address The New Yorker‘s

…typeface:

Our Corner Market's New Yorker Address Plaque

A site called Our Corner Market sells this plaque in approximate Rea Irvin type for your house, just in case your neighbors don’t know you’re the New Yorker sort. This is the “estate size” (16″ H x 28.5″ W), but in the immortal words of Cole Porter, a country estate/is something I’d hate. Who wants to be a millionaire?