(This content is taken directly from the left nav bar on the magazine’s website.)
Steve Coll wonders if the Times could really be nonprofit.
James Surowiecki loved Obama’s Georgetown speech, even if it wasn’t Churchillian.
Sasha Frere-Jones celebrates Graffiti Kings.
Hendrik Hertzberg on the electoral college and a Fox News stake out.
George Packer discusses George Orwell with the Book Club.
News Desk: What is it with the hundred-days business?
The Front Row: Who still thinks pornography is enlightening?
The Book Bench: Honoring E. L. Doctorow at the PEN Literary Gala.
Evan Osnos provides more details on China’s green-tech space race.
The Cartoon Lounge: Footage from the swing flu of 2006.
Goings On: A Jonas Brothers drug reference?
Author Archives: Martin
Spectral Appearances: An Arlen is Haunting The New Yorker
Martin Schneider writes:
In my best stentorian anchorman’s voice, I can honestly write that Senator Arlen Specter “rocked the political world today” when he announced that he would switch his party affiliation from Republican to Democrat, ensuring the Democrat’s a filibuster-proof majority in the Senate once Al Franken is seated sometime in June (it looks like). Specter is truly the man of the president’s 100th day.
When he was district attorney of Philadelphia, Arlen Specter was quoted in The New Yorker in opposition to the new Miranda rule. It was the December 14, 1968, issue. Since then he has appeared in the magazine’s pages many times—and there’ll be plenty more in the near future.
(Note that “Fight on the Right,” by Philip Gourevitch, and “Killing Habeas Corpus,” by Jeffrey Toobin, are actually about Specter, rather than merely mentioning him in passing.)
Here’s the full list:
“The Turning Point,” Richard Harris, December 14, 1968
Comment, Garrison Keillor, August 20, 1990
Comment, Adam Gopnik, October 28, 1991
Comment, Josselyn Simpson, August 3, 1992
“The Ogre’s Tale,” Peter J. Boyer, April 4, 1994
“Flat-Tax Follies,” Warren St. John, June 5, 1995
“The Western Front,” Sidney Blumenthal, June 5, 1995
“Ghost in the Machine,” Sidney Blumenthal, October 2, 1995
“Speaker of the Casino,” Sara Mosle, November 13, 1995
“The Stranger, Mary Anne Weaver, November 13, 1995
“Advice and Dissent,” Jeffrey Toobin, May 26, 2003
“Fight on the Right,” Philip Gourevitch, April 12, 2004
“The Candidate,” William Finnegan, May 31, 2004
“Hollywood Science,” Connie Bruck, October 18, 2004
“Blowing Up the Senate,” Jeffrey Toobin, March 7, 2005
“Ups and Downs,” Hendrik Hertzberg, November 14, 2005
“Unanswered Questions,” Jeffrey Toobin, January 23, 2006
“Hearts and Brains,” Hendrik Hertzberg, November 6, 2006
“The Art of Testifying,” Janet Malcolm, March 13, 2006
“Killing Habeas Corpus,” Jeffrey Toobin, December 4, 2006
“The Spymaster,” Lawrence Wright, January 21, 2008
“State Secrets,” Patrick Radden Keefe, April 28, 2008
“The Dirty Trickster,” Jeffrey Toobin, June 2, 2008
“The Gatekeeper,” Ryan Lizza, March 2, 2009
Tennis, Anyone? Budge, Cramm, Thurber, and the Nonexistent Mrs. Poos
Martin Schneider writes:
I noticed in Jay Jennings’s review of Marshall Jon Fisher’s A Terrible Splendor: Three Extraordinary Men, a World Poised for War, and the Greatest Tennis Match Ever Played, in the Wall Street Journal, that James Thurber is mentioned as “the tennis-besotted writer for The New Yorker magazine.” I didn’t know Thurber was such a tennis fan; does anyone know if the subject pops up much in the better-known Thurber collections?
The intersection of tennis and The New Yorker cannot but remind me of my father, who was a fan of both things for most of his life (Herbert Warren Wind was a particularly special byline). Furthermore, I remember him telling me about that particular match—Don Budge against Baron Gottfried von Cramm in 1937, a sort of tennis version of the second Joe Louis-Max Schmeling bout, which happened a year later (turns out, both Schmeling and von Cramm were good guys; the story of von Cramm’s life is especially interesting). The setting was Wimbledon, but the match was not a part of the well-known tournament; it was a Davis Cup semifinal.
Knowing a fair amount about the subject but not about the book, I feel confident in recommending it anyway. The book apparently omits an amusing story connected with the match that my dad used to tell. Here it is, quoted from Budge’s memoir (I found it here):
I know I was still in a daze in the locker room. It was as if everyone was trying to outdo each other in congratulating me. Tilden came in, and it was right then that he came over and told me it was the greatest tennis match ever played. Others had about the same thing to say as Tilden did—everyone, that is, except Jack Benny. He came in with Lukas an Sullivan, and while they were raving on at length, Benny just shook my hand and mumbled something like “nice match,” as if I had just won the second round of the mixed doubles at the club. I remember, Jack Benny was the only calm person in the whole locker room. The place was like a madhouse.
[snip]
After I won at First Hills, I went out to Los Angeles to play the Pacific Southwest Tournament. After my first-round match there, which was a rather normal, unexciting one, I looked up from my locker, and who should be coming at me but Jack Benny. He was positively beside himself, hardly pausing to say hello before he launched into a babbling, endless dissertation on how wonderful, how exciting, how fantastic the Cramm match had been. It was like one of those scenes from his show. I would keep trying to interrupt him, unsuccessfully. “But Jack”—I would try to start. And he would go right on.
“Magnificent, Don. It was just marvelous. Why when you—it was incredible. And then you—why, I’ve told everybody about it.” And on he went.
“But Jack,” I kept on, so that at last he stopped long enough to take that pose he is famous for, the palm cupped on his cheek, staring at me curiously. “Jack, I don’t understand,” I began. “At Wimbledon, after the Cramm match, you were the only person I met who was relaxed and calm. Now you carry on like this. The match was two months ago. Then you were unmoved. Now you’re jumping around all excited. What is it?”
“Don,” he said. “The truth is, that the Cramm match was the first tennis I ever saw. Now since then I’ve seen others, but at the time I thought all matches were more or less like that.”
I decided to search Thurber’s New Yorker contributions for tennis references, and found a silly and slight short story called “This Little Kitty Stayed Cool.” I can’t improve on the abstract:
Tells of girl who is an excellent tennis player. Her name is Kitty Carraway. A man by the name of Poos is proposing to her, but she doesn’t like the name Poos and refused. It just doesn’t sound as nice as Kitty Carraway. Argument.
Thursday: See Jonathan Safran Foer Interview Zadie Smith
A friend passes on information:
Acclaimed British writer Zadie Smith’s first book, White Teeth, won a number of awards, including the Guardian First Book Award and the Whitbread First Novel Award. Smith’s second novel, The Autograph Man, won the 2003 Jewish Quarterly Literary Prize for Fiction. On Beauty was published in 2005, and won the 2006 Orange Prize for Fiction.
Jonathan Safran Foer is the best-selling author of Everything Is Illuminated, which won numerous awards, including the Koret Award for best work of Jewish fiction of the decade, and, like White Teeth, the Guardian First Book Award. His second novel, Extremely Loud and Incredibly Close, was a finalist for the IMPAC Prize. Foer joined the NYU Creative Writing Program faculty in 2008, and lives in Brooklyn,
New York.
Date: Thursday, April 30th, 7:00 p.m.
Location: Tishman Auditorium, Vanderbilt Hall, 40 Washington Square South
New Yorker Covering “Swine Flu” Story since the Ford Administration
Martin Schneider writes:
Credit Twitter users supergork and echidnapi with the catch.
In the May 31, 1976, edition of The New Yorker, there appeared a “casual” (what today would be filed under “Shouts & Murmurs”) by Richard Leibmann-Smith satirizing the hullabaloo surrounding awards ceremonies. Leibmann-Smith spent page 31 (subscribers only) musing on the following scenario: what if the “Academy” in “Academy Awards” signified the American Academy of Medicine? What if there were a “Jonas” instead of an “Oscar,” with the categories Best Disease, Best Symptoms, Best Virus, and Best Potential Epidemic? Riffing on the most recent Oscar winner, One Flew Over the Cuckoo’s Nest, which had also effected a sweep of all the major categories just two months earlier, Leibmann-Smith chose as his awards juggernaut “Swine flu,” as in the piece’s title (prepare wince reflex), “Swine Flu Over the Cuckoo’s Nest.”
On the intersection of Twitter and swine flu, Randall Munroe expresses more amusingly something I had noticed as well.
What’s in This Week’s New Yorker: 05.04.09
Martin Schneider writes:
A new issue of The New Yorker comes out tomorrow. A preview of its contents, adapted from the magazine’s press release:
Philip Gourevitch, who covered the genocide in Rwanda for The New Yorker and in his book We Wish to Inform You That Tomorrow We Will Be Killed With Our Families, revisits Rwanda on the fifteenth anniversary of the genocide to meet with some of the people he previously profiled, and explores the unique reconciliation process that has been taking place there; today it is “one of the safest and the most orderly countries in Africa,” Gourevitch writes.
Ryan Lizza goes behind the scenes at the White House to chronicle how Peter Orszag, the new director of the Office of Management and Budget, put together the Obama Administration’s first budget.
Peter J. Boyer profiles Larry Jones, the racehorse trainer who trained Eight Belles, the horse that had to be euthanized at last year’s Kentucky Derby, and one of this year’s Derby hopefuls, Friesan Fire.
Jerome Groopman writes about new drugs, developed to treat cystic fibrosis, that may be able to correct the mutated gene responsible for the disorder.
Hendrik Hertzberg asks if it might be better to let Texas secede.
Lauren Collins talks to Dolly Parton about New York and her new musical, 9 to 5.
In Shouts & Murmurs, Noah Baumbach describes bees getting “buzzed.”
Nancy Franklin reviews Amy Poehler’s new comedy, Parks and Recreation.
Peter Conrad explores the work of the Portuguese writer António Lobo Antunes.
Peter Schjeldahl attends “The Pictures Generation” at the Metropolitan Museum of Art.
Joan Acocella watches dance works by Merce Cunningham and Karole Armitage.
Alex Ross covers Esa-Pekka Salonen’s farewell to the Los Angeles Philharmonic.
Anthony Lane reviews Il Divo and The Limits of Control.
There is a short story by Gail Hareven.
Egrets and Tigers and Editors, Oh My! Matthiessen on Wondrous Creatures
Martin Schneider writes:
File it under “lectures I wish I’d seen.” Yesterday, 81-year-old author Peter Matthiessen appeared at the Emerson Center in Bozeman, Montana, to tell tales from his adventuresome life, one that combines working as a commercial fisherman with helping George Plimpton found The Paris Review, undertaking naturalist expeditions in Siberia with submitting revisions to William Shawn.
Matthiessen described Shawn as “one of the strangest guys you could imagine” but also fiercely loyal to his writers. One suspects that to the good citizens of Bozeman, the valuable plumage of egrets and the “big red ears” of Shawn belong to much the same category (certainly, Gail Schontzler of the Bozeman Daily Chronicle implies as much).
Is Matthiessen speaking in New York any time soon? Is his novel Shadow Country the masterpiece many have claimed? I think the answers go “no” and “yes,” which I’ll regard as a glass half full.
Steve Coll Blogs the Stimulus and Earns Our Admiration
Martin Schneider writes:
Shortly after the Stimulus Bill was passed in February, Steve Coll began a project of reading through the entire legislation and blogging about it at newyorker.com. This website has ignored that worthy development for far too long, and now, almost as if to remind us to post about it, Coll has done an invaluable “diavlog” with Michael Grabell of ProPublica, which is also covering the stimulus in great detail.
The stimulus bill is one of those subjects that probably a great many people wish they knew more about; probably far too many of us are exposed to media speculation over the politics instead of actual analysis of the bill’s real-world effects. If that describes you, I think the diavlog dialogue is an excellent starting point for further investigation. If nothing else, it will introduce you to a handful of overriding themes, as well as act as a prod to read the coverage Coll and Grabell are providing elsewhere.
On that subject, if you haven’t been reading Coll’s stimulus updates, we provide a public service of linking you to Coll’s “Blogging the Stimulus” posts. But we’ll go that extra step further and link to each of the posts, to provide that little bit of overview that might make it easier for some to dive in.
March 2, 2009: “Blogging the Stimulus Bill”
March 4, 2009: “Notes on Agriculture”
March 6, 2009: “The Census-Taker Full Employment Act”
March 6, 2009: “Policing the Recovery”
March 9, 2009: “Where No Stimulus Has Gone Before”
March 11, 2009: “Cooling Off Soldiers”
March 19, 2009: “Microloans for Unemployed Journalists?”
March 23, 2009: “Made in the Homeland”
March 31, 2009: “Old School Stimulus”
April 3, 2009: “Role Models”
April 13, 2009: “Smart Medicine”
April 17, 2009: “Schooling the Stimulus”
April 21, 2009: “Investing in Soldiers”
Mirror Awards Bestow Nominee Status on Alterman, Auletta, Parker
From the press release:
Syracuse University’s S.I. Newhouse School of Public Communications today announced 29 finalists in six categories in the third annual Mirror Awards competition honoring excellence in media industry reporting. The competition drew nearly 140 entries. Fellow journalists and members of the media may vote for their favorites among the finalists by visiting mirrorawards.syr.edu/vote.cfm. Winners will receive the People’s Choice Award.
The media’s top writers, readers and leaders will gather to fete the Mirror Award winners at an awards ceremony in June in New York City. Ceremony details will be announced soon.
Finalists, chosen by a group of journalists and journalism educators, are:
Best Single Article–Traditional
* Eric Alterman, “Out of Print” (The New Yorker)
* Ken Auletta, “The Search Party” (The New Yorker)
* Seth Mnookin, “Bloomberg Without Bloomberg” (Vanity Fair)
* Clive Thompson, “Is the Tipping Point Toast?” (Fast Company)
[snip]
Best Profile–Traditional
* Mark Bowden, “The Angriest Man in Television” (The Atlantic)
* Mark Bowden, “Mr. Murdoch Goes to War” (The Atlantic)
* Lloyd Grove, “The Last Media Tycoon” (Condé Nast Portfolio)
* Charlie LeDuff, “Robert Frank’s Unsentimental Journey” (Vanity Fair)
* Ian Parker, “The Bright Side” (The New Yorker)
* Richard Pérez-Peña, “Web Sites That Dig for News Rise as Watchdogs” (The New York Times)
* Evgenia Peretz, “James Frey’s Morning After” (Vanity Fair)
[snip]
The Mirror Awards, established by the Newhouse School in 2006, honor the reporters, editors and teams of writers who hold a mirror to their own industry for the public’s benefit. Honorees are recognized for news judgment and command of craft in reporting, analysis and commentary on developments in the media industry and its role in our economy, culture and democracy.
For the full list of nominees, visit http://mirrorawards.syr.edu/vote.cfm—and vote!
Bob Staake (and Bo) Stump the Bag: Readers, Weigh In!
Martin Schneider writes:
One of my favorite political blogs goes by the somewhat unwieldy name BAGnewsNotes. The M.O. of Michael Shaw, who runs the site, is to interpret visual imagery in the political arena as an English major might dissect a poem. The symbolism of a hand gesture in an Associated Press photo of Hillary Clinton; a Newsweek cover that seems to say more than it intends; the inadvertent bestowal of a halo on the pate of President Obama, that sort of thing. It’s delightful, and after a while it gets you seeing news photos in a completely different way.
Sometimes, Shaw lets his readers have the first crack at the interpretation; so it was, today, with the current cover of The New Yorker. (I think I agree with “DennisQ” so far…) Have a look and add your thoughts, if you wish.
