Author Archives: Martin

To Mark Ten Years of the New Yorker Festival, a Mega-Festival

Martin Schneider writes:
Earlier today The New Yorker posted the following item on its Festival blog:
This year marks the tenth anniversary of the New Yorker Festival, and so, to celebrate, we’re expanding the programming to ten days: October 9-18.
The first seven days will feature an event a night, including:
* “Tales Out of School: New Yorker Writers on The New Yorker,” an evening of recollections by our contributors, presented with the storytelling group the Moth
* “Brooklyn Playlist,” a Festival concert featuring the bands of Brooklyn
* And “Tailing Tilley,” a live urban scavenger hunt drawing on New Yorker trivia.
Then, the weekend of October 16-18 will have the full Festival lineup—panels, interviews, excursions, et cetera. Find out more at the New Yorker Festival Web site. And sign up for Festival Wire to receive official announcements and updates.
As they say in California, this is the Big One!

Well, well! The Moth, Brooklyn bands, and a scavenger hunt. It looks like a lot of fun!

New Yorker Blog Roundup: 01.30.09

Martin Schneider writes:
On this quiet, chilly Friday, just a few percolating thrums over at newyorker.com before Super Bowl weekend (in which, as far as I can tell, nobody is interested):
* The remarkable “Remembering Updike” blog continues with Tobias Wolff. The sentiments of so many celebrated writers, in genuine thrall to Updike—it leaves me awestruck.
* Evan Osnos argues that Obama had better get his keister to China, stat.
* Inspired by a new book of photographs, Eliza Honey becomes a “trash detective.”
Meanwhile, on the new (!) politics podcast, rechristened “The Political Scene,” Dorothy Wickenden, James Surowiecki, and Steve Coll discuss the stimulus package, the bank bailout, and the deteriorating situation in Pakistan and Afghanistan.

Gabba Gabba Hey! Are the New Yorker Archives Full-Text Searchable?

Martin Schneider writes:
I just noticed something weird: You can get hits from old New Yorker articles on Google.
It may not be immediately apparent how significant this is. Since The New Yorker began steadily—aggressively, even—increasing its electronic profile in 2000, one of the natural consequences has been that you can access the materials by searching on them.
But there have always been arbitrary constraints: Anything since 2000 is likelier to be searchable because the magazine was putting a lot of its content on its website—logical. Before that, and you might be out of luck. The Complete New Yorker DVD set came out in 2005, which vastly increased the user’s ability to search on The New Yorker‘s past. But the search was a keyword search that also (I think; I’ve never quite gotten a handle on this) folded in The New Yorker‘s own internal abstracts and possibly some other text—but never full-text searches or anything close to it. The Digital Edition, unveiled a mere three months ago, also doesn’t incorporate full text. (The Digital Edition lives at http://archives.newyorker.com/, which will become relevant shortly.)
So here’s what happened. You know the “site:” tag in Google? You use it if you want to limit a search to a single website. I was fiddling around, searching for the term “Ramones” on newyorker.com—and I realized that my hits weren’t limited to www.newyorker.com; you also get stuff from archives.newyorker.com. Here are the results from that search:

site:newyorker.com ramones

Google’s gotten subtle and variable enough that different people might get slightly different results, but on my machine, it returns 198 hits. Scrolling down, the first (counting….) twenty-six hits are from www.newyorker.com, and just about all of them appear to be recent, that is, since 2000. That material was posted to the magazine’s website.
But the twenty-seventh hit is not from www.newyorker.com. It’s from archives.newyorker.com. And it dates from 1991. The title reads, “The New Yorker Digital Reader : Jan 07, 1991.” I don’t know for sure, but it looks like every hit after that might be from archives.newyorker.com. (I guess this is a good moment to observe that you have to be a subscriber of the magazine to benefit from this quirk. In case you don’t know, I’ll reiterate that any print subscriber automatically receives free access of all old issues on the Digital Reader.)
And yes, if you’re wondering, these results are completely different from the hits you would get from the other New Yorker resources. On the CNY DVD set, a search for “Ramones” returns 6 results (I only have one update installed on my version, FYI.) On the website, the same search returns 162 hits, but a great many of them are for “Ramon” and have nothing to do with our beloved Forest Hills punk gods.
Most of these hits for the Ramones seem to be listings, which makes some sense. Readers tend to forget the sheer volume of verbiage that each week’s listings section represents. Those would provide a huge amount of content that is nowhere else accessible. Now you can document Jerry Orbach’s storied career as a Broadway crooner! Among other things.
I don’t actually think these results are coming from a proper full-text archive. I think these are OCR (optical character recognition) results. I worked extensively with OCR in the late 1990s, so I kind of know it when I see it. One of the hits in Google provides the following preview:

he Ramones-who are, after Patti Smith, per haps the most successful act to pass through these … \\rho have all taken Ramone clS their stage name,

“\\rho” is obviously “who,” and “clS” is obviously “as.” That’s OCR output, right there. So I guess the results will be imperfect. Good, but imperfect. (It stands to reason that if The New Yorker had their archives OCR’d, then it would capture advertisement content as well. Basically the nature of magazine layout would make this very hairy—but you’d stlll get some decent results, as the Ramones search shows.)
You can search on those archives hits exclusively by doing this:

site:archives.newyorker.com ramones

Okay, that’s enough on this subject for now. Please do write in if you discover anything interesting about this!

Best of the 02.02.09 Issue: Al Roosten and Army Cats

Martin Schneider writes:
This issue had Adrian Tomine’s cover wryly commenting on the region’s tough winter. (I’d like to say that this cover took me a while to get, because I wasted precious seconds looking for the Obama connection.) Candidates include Larissa MacFarquhar on Caroline Kennedy, Laura Secor on Mohammed Tabibian, and Kelefa Sanneh on Booker T. Washington. You guessed it—this post is not yet complete!
Martin Schneider adds: Having now looked at the issue more carefully, I’m going to single out Nancy Franklin’s evocative roundup of the cable news coverage of the inauguration. It was funny (any sentence referencing Chris Matthews) and the ending had a nice jolt of earned profundity. Brava!

Best of the 01.26.09 Issue: Of Montreal and Drunken Mice

Martin Schneider writes:
This issue had Drew Friedman’s cover combining the visages of Barack Obama and George Washington. Candidates include Atul Gawande on health care reform, Calvin Tompkins on Walton Ford, and Ben McGrath on pessimists. We’ll be expanding this post in due course!
Jonathan Taylor writes:
Ben McGrath’s “The Dystopians” cheered me up infinitely, making me think at least for a while that a lot of things worrying me won’t matter at all soon. The piece gamely absorbs the all-embracing view of its subjects; at every corner, there’s yet another novelistic image of the future as envisioned by James Howard Kunstler, like the aspiring hedge-fund managers who are “going to end up supervisors of rutabaga pickers.”

Shanahan, Weyant Top Voice’s Year-End Chortle Standings

Martin Schneider writes:
Dramatist (and friend of Emily) Brian Parks has unveiled the Village Voice’s 2008 New Yorker Cartoonist Final Standings, and the winner is… Danny Shanahan, who managed to elicit a chuckle from Parks 15 out of 23 tries, for a whopping .652 amusement percentage. The Top 5 (and the only ones to crack .500) are Shanahan, Christopher Weyant, Zachary Kanin, Farley Katz, and Paul Noth. Congrats to that quintet for pleasing a tough judge!
Parks selected Bruce Eric Kaplan’s September 8 effort as Cartoon of the Year. (I preferred Parks’s 5th-place finisher, by Kanin.)
The standings feature all cartoonists who had 10 or more cartoons during 2008. You could some interesting things with a list like that: calculate how many have unambiguously female names (3) or how many have names that feature a Z (5). The possibilities are endless!

Denby on Snark: Both Live and Memorex

Martin Schneider writes:
Just a quick note to alert our readers that David Denby will be reading from his new book Snark tonight at the Barnes and Noble on the Upper West Side (82nd and Broadway) at 7pm. I hope I can attend (not sure yet).
If you’ll be there, or even if you won’t, you can get in the mood with this meaty interview with the Columbia Journalism Review.

Forbes’ Decent List of 25 Most Influential Media Liberals, Including Hertzberg

_Martin Schneider writes:_
I like this “list”:http://www.forbes.com/2009/01/22/influential-media-obama-oped-cx_tv_ee_hra_0122liberal.html of the 25 most influential liberals in America than the one Tunku Varadarajan, Elisabeth Eaves, and Hana R. Alberts turned out this week for the _Forbes_ website. (Quibbles aside, of course.)
Hendrik Hertzberg finishes at number 17, a couple of spots behind questionably liberal writers Maureen Dowd and Christopher Hitchens. The spot description runs: “Foremost among a tribe of opinion writers that waged a form of moral war against the Bush administration, he has the purest voice in the choir of the East Coast liberal ‘high church.'” But is that really true? (Come to think of it: that role might be taken by Frank Rich, who curiously goes unmentioned.) Anyway, I’d’ve emphasized the unusual grace of his writing style instead—hey, is scrupulous scribbling a path to power?
As I indicated, the list is hard to question, by and large, especially the top pick. But I subscribe to the notion that influence accrues to the regime’s opponents: Rush Limbaugh rises in the Clinton years; Jon Stewart under Bush. Overall, this group is in for some rough years.

Exhibition: New Yorker Cartoons on Other People’s Money

Martin Schneider writes:
Check this out—I am really excited about an exhibition that starts at the J.P. Morgan Library in New York this Friday. It’s called “On the Money: Cartoons for The New Yorker” and it runs from January 23 through May 24. In the wake of the disastrous financial news of the last few months, someone had the brilliant idea of using New Yorker cartoons to illustrate attitudes about finance over the last several decades:

Celebrating the art of the cartoonist, “On the Money: Cartoons for The New Yorker” features approximately eighty original drawings by some of The New Yorker’s most talented and beloved artists who have tackled the theme of money and the many ways in which it defines us. Included in the show are drawings by such luminaries as Charles Barsotti, George Booth, Dana Fradon, Lee Lorenz, William Hamilton, and J. B. Handelsman. The exhibition is on view only at the Morgan.
The works are drawn entirely from the collection of Melvin R. Seiden, a longtime supporter of the Morgan, who has assembled one of the largest and most representative private selections of this art form which spans the history of The New Yorker. The Seiden collection of New Yorker cartoons, numbering nearly 1,500 sheets, complements the Morgan’s holdings in the history of satire and humor, which range from the Renaissance to the twentieth century. Following the great cartoonists of the eighteenth and nineteenth centuries—including James Gillray, H.K. Browne a.k.a. Phiz, and Honoré Daumier, in whose works the Morgan’s collection is particularly rich—the artists represented in this exhibition continue the thread of chronicling contemporary attitudes.

The drawings in “On the Money” include a selection of works from the magazine’s early years as well as contributions from cartoonists working during the 1970s, 1980s, and 1990s, when financial issues were among the dominant themes of many cartoons. Subjects such as politics, sex, inheritance, and real estate demonstrate the impact of money on individual lives, while the shared experience of recessions and booms provides inspiration for broader treatments of the theme. Finding humor in money and the economy has been a mainstay of New Yorker artists, and the cartoons continue to engage viewers.
The artistry of the works reveals the eloquent and efficient draftsmanship essential to a successful cartoon as well as the artists’ process of creating and revising an incisive, humorous vignette. The exhibition also delineates the critical role of the cartoon editor, whose work is essential to the reader’s enjoyment. A selection of cartoons that were improved by editorial recommendations is accompanied by equally amusing correspondence between editor and artist about achieving the perfect union between word and image. Also featured in the exhibition are photographic portraits by Anne Hall of many of the artists behind the cartoons.

The sample picture on the exhibition page (note the handwritten caption) is mouth-watering. I am so going to this!