Author Archives: Martin

Feisal Abdul Rauf to Appear at 92Y Debate

Martin Schneider writes:
On Sunday, December 5, at 4:30pm, 92Y is hosting a discussion titled, “Can We Understand Each Other? An Interfaith Dialogue.” Tickets are available to purchase—act quickly, because this event should sell out soon.
Participants will include Rev. Dr. Joan Brown Campbell, director of religion at Chautauqua Institution; Sister Joan Chittister, OSB, author of more than 27 books on issues involving women in church and society, human rights, peace and justice; Imam Feisal Abdul Rauf, founder and CEO of the American Society for Muslim Advancement and architect of the Cordoba Initiative, an interreligious blueprint for improving relations between the Muslim world and the United States; and Rabbi Joseph Telushkin, associate of the National Jewish Center for Learning and Leadership.
Feisal Abdul Rauf is best known, of course, as the man behind the so-called “9-11 Mosque,” otherwise known as Park51, which has garnered an enormous amount of controversy in recent months.
For a taste of what this event might be like, check out This Week‘s debate from this past weekend, “Should Americans Fear Islam?” which included Rauf’s eloquent wife, Daisy Khan, and a host of other lively personalities.
Rauf has not made many public appearances during this controversy, making this event all the more exceptional.
It’s worth pointing out that the event is taking place on the Upper East Side, which is a Tea Party-approved distance from Ground Zero, according to many prominent Republican and conservatives who have objected to the Park51 plan.

What You Missed (or Didn’t) at the New Yorker Festival

Martin Schneider writes:
Another New Yorker Festival has come and gone, and it must be said it was a good one. We posted last week about the existence of Fora.tv’s pay-per-view videos of a good number of the events. After the jump we post some tasty snippets to whet your appetite.
Lorrie Moore:

E. Annie Proulx:

Dave Eggers:

Joyce Carol Oates:

Michael Chabon and Zadie Smith:

Paul Krugman:

Ken Auletta:

Stephen King:

Fashion Forward:

James Surowiecki:

Cynthia Nixon on Gay Marriage:

Calvin Trillin:

Malcolm Gladwell:

Ian Frazier:

Jonah Lehrer:

New Yorker Festival Starts Today!

Martin Schneider writes:
There’s only one day of the year we can run that headline, and today is that day.
Emily and I will be attending events all weekend. I’ll be at tonight’s “Living History” event with E. Annie Proulx, E.L. Doctorow, and Peter Carey, and I’ll be seeing Bill Simmons and Neil Gaiman, among others. Emily will be at the James Taylor, Pee-Wee Herman (they’re listing it as “Paul Reubens,” and we get that, but hey, it’s The Pee-Wee Herman Show on Broadway!), and Sympathy for Delicious events, and other ones too. And we may have guest writers weighing in.
Remember: as it did last year, the New Yorker Festival is offering a small number of tickets to all events during the weekend, so a lucky few of you will still get in!
Here’s to another great festival! See you there!

Watch the New Yorker Festival Live–From Anywhere!

Martin Schneider writes:
Inevitably, a magazine with the reach of The New Yorker has a substantial audience across the country and in other countries. Lots of people want to participate in the New Yorker Festival, which takes place October 1-3, but are simply too far away. Those people are likely to rejoice in Fora.tv.
Fora.tv will be streaming a total of 18 NYF events as they happen (click on the link above for the exact list). You can purchase access to single events ($4.95 each) or the entire package ($59.95). Then you can watch the events as they are happening as well as on demand for 30 days after the festival. According to Fora.tv, live access “includes interactive chat, Twitter stream and simultaneous viewing—yes, you can purchase multiple programs that take place at the same time.”
Good luck to both Fora.tv and its eager customers!

2010 New Yorker Festival Schedule!

The entire staff of Emdashes is excited to bring this year’s New Yorker Festival schedule. It looks like another terrific year, and we hope to see you there! There are more details on all of the events here.
Tickets for The New Yorker Festival will go on sale at 12 noon E.T. on Friday, September 10th. Click here for details.
Friday, October 1
6 p.m.
“The Social Network” (Jesse Eisenberg, Justin Timberlake, Aaron Sorkin)
Directors Guild Theatre ($30)
7 p.m.
James Taylor
Acura at SIR Stage37 ($35)
Alec Baldwin
SVA Theatre 1 ($35)
“Living History” (Peter Carey, E. L. Doctorow, Annie Proulx)
SVA Theatre 2 ($25)
Lorrie Moore
(Le) Poisson Rouge ($25)
9:30 p.m.
Possessed (Jonathan Safran Foer, Orhan Pamuk)
Directors Guild Theatre ($25)
Michael Chabon and Zadie Smith
Acura at SIR Stage37 ($25)
Giving Voice (Uwem Akpan, Edwidge Danticat, Dave Eggers)
SVA Theatre 1 ($25)
The Parent Trap (Mary Karr, Tobias Wolff)
SVA Theatre 2 ($25)
Sex and Violence (Junot Díaz, Joyce Carol Oates, Wells Tower)
(Le) Poisson Rouge ($25)
Saturday, October 2
10 a.m.
The Tea Party (Dick Armey, Jill Lepore, Rick Santelli, Anthony Weiner)
Directors Guild Theatre ($30)
Paul Krugman
Acura at SIR Stage37 ($30)
Atul Gawande
SVA Theatre 1 ($30)
Ken Auletta
SVA Theatre 2 ($30)
1 p.m.
Bill Simmons
Directors Guild Theatre ($30)
The Vampire Revival (Noël Carroll, Stephen King, Matt Reeves, Melissa Rosenberg)
Acura at SIR Stage37 ($30)
Fashion Forward (Maria Cornejo, Naeem Khan, Phillip Lim, David Neville, Marcus Wainwright)
SVA Theatre 1 ($30)
James Surowiecki
SVA Theatre 2 ($30)
4 p.m.
Natural Disasters (Susan Hough, Charles Mandeville, Joshua Wurman, Don Yeomans)
Directors Guild Theatre ($30)
David Simon
Acura at SIR Stage37 ($30)
The Case for Gay Marriage (David Boies and other panelists, to be announced)
SVA Theatre 1 ($30)
Paul Goldberger
SVA Theatre 2 ($30)
6:30 p.m.
Tales Out of School 2 (David Grann, Jane Mayer, Susan Orlean, Jeffrey Toobin, Calvin Trillin)
(Le) Poisson Rouge ($50)
7 p.m.
Werner Herzog
Directors Guild Theatre ($35)
Yo-Yo Ma
Acura at SIR Stage37 ($35)
Paul Reubens
SVA Theatre 1 ($35)
Patricia Clarkson
SVA Theatre 2 ($35)
8 p.m.
“The Human Scale” (Lawrence Wright)
3LD Art & Technology Center ($35)
10 p.m.
“Sympathy for Delicious” (Mark Ruffalo, Christopher Thornton)
Directors Guild Theatre ($30)
Regina Spektor
Acura at SIR Stage37 ($35)
Andrew Bujalski, Greta Gerwig, and Joe Swanberg
SVA Theatre 2 ($30)
Sunday, October 3
10 a.m.
Morning at the Frick (Peter Schjeldahl)
The Frick Collection ($60)
Tugboat Manhattan (Burkhard Bilger)
South Street Seaport Museum ($120)
11 a.m.
Come Hungry (Calvin Trillin)
Ticket buyers will be contacted concerning the location. ($120)
Steve Carell
Acura at SIR Stage37 ($30)
12 noon
Inside the Artist’s Studio (Platon)
Ticket buyers will be contacted concerning the location. ($60)
A Visit to the Glass House (Paul Goldberger)
The Philip Johnson Glass House ($150)
1 p.m.
Neil Gaiman
Directors Guild Theatre ($30)
The Cartoon Caption Game (Robert Mankoff, Matthew Diffee, Carolita Johnson, Barbara Smaller)
Condé Nast Executive Dining Room ($35)
Malcolm Gladwell
SVA Theatre 1 ($30)
Ian Frazier
SVA Theatre 2 ($30)
4 p.m.
Verses (John Ashbery, Anne Carson, Cynthia Cruz, Jorie Graham, Tracy K. Smith, Paul Muldoon)
Directors Guild Theatre ($20)
Live from New York (Seth Meyers and others)
Acura at SIR Stage37 ($30)
Your Brain on the Internet (Nicholson Baker, Elizabeth Phelps, Jonah Lehrer, Jaron Lanier)
SVA Theatre 1 ($30)
Alex Ross
SVA Theatre 2 ($30)

Two Quick Hits: Orlean and Wright

Martin Schneider writes:
Over the past three weeks or so, I encountered two New Yorker contributors in unexpected venues, and in both cases the takeaway was that the person might be the best at what they do. I thought I’d pass those on.
On August 11, the vastly entertaining mostly-political discussion website bloggingheads.tv posted a “diavlog” with Elizabeth Gilbert (Eat, Pray, Love) and Susan Orlean (billed as “Julia Roberts” and “Meryl Streep,” har har). It’s the third dicussion for bloggingheads.tv Orlean has done—the first two were with Kurt Andersen and Walter Kirn (“George Clooney”)—and she has a tremendous knack for “casual” conversation that is in fact studded with wit and wisdom. She is really good at these things.
At the 2007 New Yorker Festival, I had the great luck to see Orlean and Mark Singer conduct a “master class” in the art of writing profiles; that session was transcendently wonderful, one of the best NYF events I’ve ever seen, particularly for a New Yorker junkie. Orlean is deceptive: At first blush, she gives off a mildly distracted, breezy impression, but the more you listen, the more you realize how incredibly high this woman’s signal-to-noise ratio is. Over and over again, one is struck by the sheer number of acute observations, proferred with grace and insight.

Last week, at Talking Points Memo, Josh Marshall posted a “bleg” in which he asked his readers for guidance in finding a good, non-polemiized narrative account of the events leading up to 9/11. The overwhelming winner (as a piece of journalism) was Lawrence Wright’s The Looming Tower. This was a revelation to me, on a few levels. First, I had not actually known that that was the subject of The Looming Tower. But more interestingly, according to TPM’s readers, The Looming Tower is pretty much the only thorough, journalistic treatment of the 9/11 attacks.
Also in 2007, Emily and I got to see Wright perform his one-man show, My Trip to Al-Qaeda, which was penetrating and fascinating and troubling. Good news, then, that Wright has a follow-up due to premiere at the New Yorker Festival and run in New York City through October.
So thank you. Orlean and Wright, for so consistently defining excellence.

2010 New Yorker Festival Details Released

Martin Schneider writes:
The New Yorker has announced the program for the 2010 New Yorker Festival, scheduled for October 1-3. As always, the event will feature author events on the Friday, followed by a wide variety of events over the next two days.
The 2010 New Yorker Festival
New York, August 26, 2010 – During the weekend of October 1st through October 3rd, The New Yorker will present its eleventh annual Festival, a three-day celebration that will once again bring together a distinguished group of writers, thinkers, artists, and other luminaries from fields including film, music, politics, economics, architecture, fashion, and literature. Since the Festival’s inception, events have sold out quickly, drawing close to twenty thousand people from around the world every year. The full program guide will be included in the September 13, 2010, issue of the magazine, on newsstands September 6th, and will be available at newyorker.com/festival.
Among this year’s highlights:
Interviews with the actor Alec Baldwin; the actor Steve Carell; the actress Patricia Clarkson; the New Yorker staff writer Ian Frazier; the author Neil Gaiman; the actor John Goodman; the director Werner Herzog; the economist Paul Krugman; the cellist Yo-Yo Ma; the co-creator of Treme, David Simon; the actor Paul Reubens; the best-selling author and ESPN.com columnist Bill Simmons; the singer-songwriter and pianist Regina Spektor; and the singer-songwriter James Taylor.
New Yorker writers David Grann, Jane Mayer, Susan Orlean, Jeffrey Toobin, and Calvin Trillin will gather for an evening of stories about life at the magazine, presented in conjunction with the Moth performance series and hosted by Andy Borowitz.
A panel, Live from New York, will feature Seth Meyers, the head writer for Saturday Night Live, and other cast members, to be announced; the event will be moderated by David Remnick.
In a series of New Yorker Talks, Ken Auletta will investigate the impact that Google and the Internet have had on the media (and everyone else); Atul Gawande will discuss end-of-life care; Malcolm Gladwell will look at the magical year of 1975; Paul Goldberger will explain why architecture matters; Alex Ross will explore the bass lines of music history; and James Surowiecki will analyze talent and context in a random world.
Friday Night Fiction events will feature discussions among New Yorker contributors Peter Carey, E.L. Doctorow, and Annie Proulx; Jonathan Safran Foer and Orhan Pamuk; Junot Díaz, Joyce Carol Oates, and Wells Tower; Uwem Akpan, Edwidge Danticat, and Dave Eggers; and Mary Karr and Tobias Wolff. Michael Chabon and Zadie Smith will read from their work, and Lorrie Moore will talk with Deborah Treisman.
An opening-night screening of David Fincher’s film The Social Network, about the founding of Facebook, will be followed by a discussion with the film’s stars, Jesse Eisenberg and Justin Timberlake, and the screenwriter Aaron Sorkin.
The Tea Party, a panel featuring Dick Armey, the chairman of FreedomWorks; Jill Lepore, a contributing writer at The New Yorker; Rick Santelli, the on-air editor at CNBC; and Anthony Weiner, the New York congressman, will explore the rise of the right. The event will be moderated by David Remnick.
About Town excursions will include breakfast and a tugboat ride with the vice-president of McAllister Towing Buckley McAllister, the tugboat owner and operator George Matteson, and Burkhard Bilger; a tour of Philip Johnson’s Glass House, followed by brunch and a discussion with Paul Goldberger; a tour of Platon’s studio, followed by drinks and conversation with Elisabeth Biondi; Peter Schjeldahl’s third annual tour of the Frick Collection, before public hours begin; and a tasting walk from Greenwich Village to Chinatown with Calvin Trillin.
The Fashion Forward panel will feature designers of “the new guard”: Maria Cornejo, Naeem Khan, Phillip Lim, and David Neville and Marcus Wainwright. The event will be moderated by Judith Thurman.
A live version of The New Yorker‘s Cartoon Caption Contest will feature judges and cartoonists Matthew Diffee, Carolita Johnson, and Barbara Smaller; the event will be hosted by Robert Mankoff.
A panel on gay marriage will feature David Boies and others, to be announced; the event will be moderated by Jeffrey Toobin.
The Vampire Revival, a panel moderated by Joan Acocella, will feature Noël Carroll, Distinguished Professor of Philosophy at the CUNY Graduate Center; the writer Stephen King; Matt Reeves, the writer and director of the upcoming film Let Me In; and Melissa Rosenberg, the screenwriter for all three films in the Twilight saga, as well as the upcoming fourth.
Lawrence Wright will perform his new one-man show, The Human Scale. The show is based on Wright’s New Yorker article, “Captives” about the crisis in Gaza. This will be the first performance of a four-week run.
After a sneak-preview screening of Sympathy for Delicious, which won the U.S. Dramatic Special Jury Prize at the 2010 Sundance Film Festival, Rebecca Mead will talk with the film’s creative team and co-stars, Mark Ruffalo and Christopher Thornton.
Andrew Bujalski, who wrote and directed Funny Ha Ha; Greta Gerwig, who starred in Noah Baumbach’s Greenberg; and Joe Swanberg, who directed and co-wrote Hannah Takes the Stairs, will discuss the mumblecore generation with Richard Brody.
A panel, Natural Disasters, moderated by David Grann, will feature Susan Hough, a seismologist with the Southern California Earthquake Center; Charles Mandeville, a volcanologist, geochemist and senior research scientist in the American Museum of Natural History’s Department of Earth and Planetary Sciences; Joshua Wurman, an atmospheric scientist who studies tornadoes and hurricanes; and Don Yeomans, the manager of the Near-Earth Object Program at NASA.
Verses/An Afternoon of Poetry will feature New Yorker contributors John Ashbery, Anne Carson, Cynthia Cruz, Jorie Graham, and Tracy K. Smith, who will read from their work; the event will be hosted by Paul Muldoon.
Book signings at McNally Jackson will include Dick Armey, Peter Carey, Roz Chast, Edwidge Danticat, Dave Eggers, Jonathan Safran Foer, Ian Frazier, Atul Gawande, Paul Goldberger, Jorie Graham; David Grann, Mary Karr, Jaron Lanier, Jill Lepore, Paul Muldoon, Joyce Carol Oates, Alex Ross, Zadie Smith, Michael Specter, and Wells Tower.
Tickets will go on sale on Friday, September 10th, at 12 noon E.T., and may be purchased at newyorker.com/festival or by calling 800-440-6974. Ten per cent of tickets to all events will be available at the SVA Theatre, 333 West 23rd Street (between Eighth and Ninth Avenues). These tickets will be sold on Friday, October 1st, from 12 noon to 4 P.M. A limited number of tickets will be sold at the door to each event one hour before start time, with the exception of Morning at the Frick, Come Hungry, Inside the Artist’s Studio, A Visit to the Glass House, The Cartoon Caption Game, and Tugboat Manhattan.
Download the New Yorker Festival app and get the complete program, ticket information, neighborhood guides from the editors of Goings On About Town, and more; for iPhone, iPod Touch, and Android devices. Follow us on Twitter (@NewYorkerFest) throughout the weekend to receive updates, tips, and information about last-minute tickets. Check in to Festival events on Foursquare, and follow The New Yorker (foursquare.com/newyorker) for tips about the Festival and other sites about town. And visit the Festival blog (newyorker.com/online/blogs/festival) for recaps, announcements, and amusements.
HSBC is the presenting sponsor of The New Yorker Festival. The Festival is sponsored by American Airlines, Acura, The Canadian Tourism Commission, Delta Faucet, Health & Disability Advocates, LU, Champagne Louis Roederer, and Westin.

Mad Men, Season 4: The Subaru Parallel

Martin Schneider writes:
One more quick thing about the most recent episode, “The Chrysanthemum and the Sword.” The news that SCDP would be handling Honda’s nascent automobile division could not but remind me of Randall Rothenberg’s engrossing book Where the Suckers Moon. That 1994 book detailed the circa-1990 process whereby Subaru hired a new advertising agency for its upcoming campaign and, as such, is an essential resource—one I haven’t seen mentioned enough—for anyone who wants to read more about Don Draper’s job description (albeit 25 years later).
Mad Men‘s description of Honda’s new cars as “motorcycles with a frame around them” (or whatever) immediately brought me back to Rothenberg’s account of Subaru’s early years. At the time—an automobile enthusiast could confirm if this is still true—Subaru was kind of the ignoble stalwart on the lower end of the Japanese automobile market. Their cars were clunky, cheap, and reliable, and they were also known for pioneering the four-wheel drive. Somehow I can’t help but think that Weiner and Co. are obliquely referring to Where the Suckers Moon here; it’s just too close.

Mad Men, Season 4: The Futility of Resisting Bodily “Sin”

Martin Schneider writes:
It’s interesting how positive a reaction the Honda shenanigans got from all the pro bloggers documenting every detail of the Draper Saga. During one commercial break while watching the most recent episode, “The Chrysanthemum and the Sword,” I commented to my co-watchers, “What is this, Three’s Company?” It reminded me of the Ham Scam from s04e01, after which Don scolded Peggy, but good. Nobody I read pointed out the parallel. The Honda sequence was as rich and enjoyable as everything that happens in Mad Men, but I didn’t enjoy it more than anything else on the show.
I was more taken by the plight of Sally Draper, whose predicament is getting more gut-wrenchingly alarming by the scene. I think what skewers our hearts so damnably about Sally is that nothing is really under her control. Her supposedly “rebellious” act of cutting her own hair seemed just beyond her conscious mind, and her fleeting sexual attraction to The Man from U.N.C.L.E.’s David McCallum was as unthinking and genuine as her howl of rage at her family’s blithe callousness after her grandfather’s death in season 3.
In other words, the aftermath of shock, outrage, cruel parenting, and psychological treatment was so swift, severe, and unremitting that the viewer, I think, semi-forgot that Sally’s moment was truly an “innocent” one—she didn’t “mean” anything by it.
It reminded me of probably the most memorable passage from George Orwell’s essay “Such, Such Were the Joys,” which is about Orwell’s own tweenhood at an expensive English boarding school. The opening passage is about the principal’s attempts to discipline the young Eric Blair (Orwell’s given name) into refraining from wetting his bed—by all means do read it at the link above. When the narrative of events is overwith, we get Orwell’s takeaway. I think you’ll be able to see why I thought of this after watching the adults mistreat Sally.

I knew the bed-wetting was (a) wicked and (b) outside my control. The second fact I was personally aware of, and the first I did not question. It was possible, therefore, to commit a sin without knowing that you committed it, without wanting to commit it, and without being able to avoid it. Sin was not necessarily something that you did: it might be something that happened to you. I do not want to claim that this idea flashed into my mind as a complete novelty at this very moment, under the blows of Sambo’s cane: I must have had glimpses of it even before I left home, for my early childhood had not been altogether happy. But at any rate this was the great, abiding lesson of my boyhood: that I was in a world where it was not possible for me to be good. And the double beating was a turning-point, for it brought home to me for the first time the harshness of the environment into which I had been flung. Life was more terrible, and I was more wicked, than I had imagined. At any rate, as I sat snivelling on the edge of a chair in Sambo’s study, with not even the self-possession to stand up while he stormed at me, I had a conviction of sin and folly and weakness, such as I do not remember to have felt before.

I suspect that I am in complete unity with literally all other Mad Men devotees when I say that I eagerly await the moment, probably towards the end of season 6 (which Matt Weiner has said will be the last), in which Sally Draper, perhaps a year or two away from hitching a ride to Woodstock (one assumes that Woodstock is the ultimate destination, no?), tells off the legions of deranged authority figures, including her dad and especially her mom, in such a manner that lets us know that she may not be “OK,” as the 1970s bestseller had it, but she is at any rate her own woman and will not stand for it any longer. Maybe she’ll even churn out a Wigan Pier in the years to come.
I guessed right on Doris Day!

Fighting the Birthers: A Primer

Martin Schneider writes:
A few days ago I got involved in an online argument with two impassioned “birthers”—people who believe that, for a variety of reasons, Barack Obama is not eligible for the presidency. Against all expectations, I was able to put forward some arguments that, I think, confounded my opponents, and I learned something along the way too. It was an unexpectedly constructive exercise, I thought.
The venue was Ezra Klein’s blog at the Washington Post. Klein, who is extremely prolific, always throws up a “lunch break” blog around midday with some frivolous content. Last week, on President Obama’s birthday, he made a joke in his “lunch break” post about Rush Limbaugh having made fun of the indeterminacy of Obama’s birthdate and put up a YouTube video of Louis Armstrong (whose birthdate is genuinely contested).
Two commenters, “prsmithsr” and “dancingrabbit,” began pushing some birther arguments; after a great many posts of significant length, they quickly managed to drown out all other comment and briefly threatened to be “the last word” on the subject. On 8/5/10 at 2:32PM, prsmithsr follows four consecutive posts by dancingrabbit with this: “Total silence. You do have a way of killing a debate lol!” In other words, the two of them had won the debate, and it was time for prsmithsr to dance in the end zone a little.
For reasons I can’t remember, I came to the thread many hours later, at 8/6/10, 6:31AM, and after that there are a few exchanges between myself (“wovenstrap”) and dancingrabbit. Today’s the 8th — the debate appears to be over, and while it’s possible that dancingrabbit just turned his focus to some other venue because the thread had run its course, I do think that my counters to him were difficult ones to answer. I’m not dancing in the end zone, exactly, but they definitely didn’t win the argument, which is something.
As far as I can see, the birther argument has two main tributaries: Obama is not a “natural-born” citizen and Obama was not born in Hawaii. You may think that these two claims are almost the same—not being born in Hawaii would probably mean that Obama is not a natural-born citizen, after all—but the situation is more complex than that. It’s important to understand that these two claims are distinct. The first claim, about Obama’s lack of “natural-born” status, is a claim about his parentage. The second claim is a claim about his birthplace. They’re different things, and you have to attack the two claims separately.
Somewhat surprisingly, the claim about Obama not being a “natural-born citizen” is not totally without merit, and recognizing this is key in addressing the argument properly. The Constitution states:

No person except a natural born Citizen, or a Citizen of the United States, at the time of the Adoption of this Constitution, shall be eligible to the Office of President; neither shall any Person be eligible to that Office who shall not have attained to the Age of thirty-five Years, and been fourteen Years a Resident within the United States.

Translation: Unless you were alive at the time of the founding of the country, you must (a) be a natural-born citizen, (b) be 35 or older, and (c) be a resident of the United States for 14 years or more.
Some of these claims aren’t entirely clear. Does “fourteen years” mean the last fourteen years or any fourteen years? That distinction mattered a lot to Herbert Hoover, who had lived in Europe not long before becoming president. Also, what is a “natural-born” citizen, anyway? How is it different from a naturalized citizen? What’s that term mean?
The answer is that the term has no fixed meaning. Anyone who tells you they know what the term means is lying. It’s a term that is not defined in the Constitution and has not properly been defined since, to the satisfaction of all parties.
The poster dancingrabbit in Ezra’s thread was arguing that the Framers themselves believed that a “natural-born citizen” is the child of two American citizens. Since Obama’s father was not then and never became an American citizen, we can see that this way of defining “natural-born citizen” is utterly crucial for their argument.
In support of this argument are some seminal writings by a writer named Vattel that the Framers relied on. Vattel uses plural terms to discuss the parents of “natural-born citizens,” so, our birthers figure, not too unreasonably, so too did the Framers. You can read dancingrabbit on this—there’s a whole lot of weight placed on a pivotally placed s here and another one there.
The presumption that we can rely on outside materials to determine what the Constitution means is a highly ideological one. It brings us back to the debate in legal circles between “originalists” and their opponents. In my opinion originalism is a bankrupt philosophy because it assumes as a matter of course that people living more than 200 years ago had better judgment about our affairs than we do.
But let’s simplify this. The things wrong with reliance on Vattel are:
1. Vattel’s writings are not part of our founding documents, and
2. There is plenty of case law suggesting that birth within the United States is sufficient to establish “natural-born citizenship.”
So far, so good. What you can say to a birther on the subject of “natural-born citizenship” is, “You know, nobody knows what this term means, for sure. It hasn’t really been defined. But you’re saying that the writings of some 18th-century Frenchman tell us what it means, and I’m saying that the rulings of contemporary American judges tell us what it means.”
In my opinion, this is a difficult argument for a birther to win. It highlights the bad faith involved in searching for something, anything that might suggest that Obama’s non-American father might exclude Obama from eligibility—even if it involves going back a couple centuries and jumping over an ocean. It’s more reasonable to say, “If this were to come before a judge today, it’s quite likely that that judge would rule that Obama’s birth in Hawaii was sufficient to establish natural-born status. I don’t know that’s what the judge would rule, but I think so. You think Vattel trumps our judiciary; I don’t see any reason for holding that view.”
What about Obama’s birth in Hawaii? Isn’t there compelling evidence that Obama was not born in Hawaii?
The simple answer is no, there isn’t.
I am indebted to James Fallows for the insight, but the simple question to ask anyone claiming that Obama was not born in Hawaii is, “Is there any evidence—a visa, perhaps?—that Obama’s mother, Stanley Ann Dunham, was traveling abroad in 1961?” Clearly, if Obama’s mother was not in Kenya in 1961, then Obama was not born there either. That’s as close to “game, set, and match” as these things come. Even birthers.org does not dedicate a single word to the location of Ms. Dunham when Obama was born, that I could find. Absent a document proving that Dunham had traveled to Kenya (or anywhere else) around 1961, all of the “evidence” about the birth certificate and the insufficient birth announcement is just poppycock. Worse, it’s proof of bad faith, a lack of objectivity.
The bad faith and, potentially, racism involved in the birhters’ arguments should be clear enough, but I don’t want to dwell on that.
One last point about the logical connections between Obama’s parentage and birthplace that birthers make. Basically, birthers tend to treat the two claims as having equal status. That is to say, it’s an AND proposition. Obama must have two American parents and he must be born in the United States to be a “natural-born citizen” and thus eligible for the presidency. To put it another way, if EITHER one of Obama’s parents was not an American citizen OR Obama was not born in Kansas, then he is ineligible.
But that’s not actually the way the logic works. If Obama was born in Hawaii, then that pretty much seals the argument (at least in my “what would a judge rule?” hypothetical). To put it another way, if Obama was born in Hawaii, then it does not matter who his father was.
In my last, unanswered comment to dancingrabbit, I wrote this:

Consider the following analogy. We are trying to determine whether something is a pizza or not. We say that a pizza is defined as a circle of dough covered in cheese and tomato sauce. That is what a pizza is. However let us say that we add that a pizza can also be made of cardboard if it is a prop in a student play. The second definition only comes to play if the first definition is not met — if the first definition is met, then you don’t need to look at the second definition. You are basically saying, “that circle of dough with cheese and tomato sauce cannot be a pizza because it is not made of cardboard.”

You see? Obama is a pizza…. it makes no sense to argue that he is not made of cardboard as if that alone can settle the issue. He doesn’t need that argument. If he was born in Hawaii, which frankly is pretty certain, then he’s a natural-born citizen, almost certainly. The citizenship status of his father is not germane, because Obama’s natural-born status is a settled matter. You start looking at his father’s citizenship status only if Obama’s birth in Hawaii is truly placed into doubt.
And as far as that goes, the House of Representatives, in a unanimous vote, upheld the proposition in 2009 that Obama was born in Hawaii. That’s not “proof,” properly speaking, either, but it’s a good way of signaling that birther belief is more fringe-y than perhaps the speaker realizes.