I interviewed esteemed Winterhouse designers William Drenttel and Jessica Helfand, who worked with The New Yorker on the magazine’s web redesign, as well as the web editors at Harper’s, The Nation, and Scientific American.
It’s all in Print, and, at a quality newsstand near you, in print.
Monthly Archives: July 2007
7.02.07 Issue: Subtexting, “Sicko,” and a Dandy Handey
Each week, the Emdashes staff dons a big foam hand to identify those aspects of last week’s issue that most closely resemble a walk-off home run. Happy Fourth!
The spot illustration, by Rachel Domm, for John Lahr’s review of Sarah Ruhl’s production of Eurydice was remarkable. It reminded me a bit of the work of Tara McPherson, only without that artist’s painful Goth overtones. —MCS
To me, “George Packer” means stern, lucid commentary on war and politics. This weekend, though, he pricked me with humor, and three times on a shuddering ferry to Vancouver Island I laughed out loud at this depiction of what a powerful New York contingent (Clinton, Giuliani, and Bloomberg) might mean for the next Presidential election.
“[It] would so thoroughly explode the Sun Belt’s lock on the White House that an entirely new kind of politics might be possible, in which evolution is not an issue, no one has to pretend to like pork rinds, and the past tense of “drag” is “dragged.”
Also: a few chuckles from Jack Handey’s delightfully cruel nature documentary: “The monkey is shot by a poacher and falls from giraffe.” Golden. —JB
There’s so much pressure to like monkey-themed Shouts, but I did anyway. I haven’t enjoyed nature documentaries the way I used to ever since I read a powerful essay somewhere about how these blithe, leafy programs lull us into a dangerously cheerful stupor, in which we forget that the earth is already a goner, because look, an antelope, a toucan, and an ibiza! I think it was a Harper’s Reading; I keep trying to cite it, so I’ll have to look at their archive. On the other hand, if it weren’t for nature documentaries, etc., would we care about that godforsaken polar bear in An Inconvenient Truth in the first place?
Anyway, some of my favorite stories: I liked seeing Ken Auletta throw caution to the wind and just write the heck out of a piece on Rupert Murdoch. To accompany it, there’s an absorbing and fun interview with Auletta by Blake Eskin for the new “New Yorker Out Loud” podcast; it’s nice to hear the Nextbook veteran interviewing again. At least in my experience, it’s faster and easier to subscribe to this and the other (fiction, New Yorker Conference, etc.) podcasts directly through iTunes, but my computer’s been wonky lately, so it might just be me.
Also notably top-notch: Margaret Talbot on lie-detecting machines; Maxim Biller’s sad, beautiful, and beautifully short story “The Mahogany Elephant” (would that I could have read it a decade ago and avoided a heap of foolishness, but that’s how it crumbles, cookie-wise); Joan Acocella proving once again how good her book reviewing can be; Joyce Carol Oates writing intelligently and well about Stephen L. Carter; John Updike on a revisionist history of the Depression—the book section is uniformly good this week. The cover is also a subtle, satisfying event. Where does one buy those bulbs? I’ll mail one to the first person to tell me. —EG
Winner David Kempler, We Are Looking for You
With the friendliest intentions, of course! If a search engine has happened to bring you to this location, please know that we are aching to interview you for intern John Bucher’s recurring feature, “Oh Caption! My Caption!” Please get in touch with him here. Congratulations and happy Fourth! And happy Canada Day, too—though of course Canadians have nothing to be happy about, since at present, they can’t enter the Caption Contest. When will a Canadian taste the kind of glory that David Kempler, winner #100, is basking in right now at his home in Island Park? I will continue to ask this question!
