Monthly Archives: July 2009

I Want to Read Pauline Kael’s Review of “Garp,” As It Happens

Martin Schneider writes:
I recently established contact with a cousin of mine on the West Coast I barely know—I’m not entirely sure we’ve met even a single time. How did we make contact? Why, he tapped me on Facebook, of course! It’s funny how family traits run kind of deep—he’s a theater critic with a strong interest in classic and foreign movies; judging from certain references he’s made just in the last couple of weeks (J. Hoberman, Proust, Jules et Jim), he’s probably has more in common with me than 90% of the people I’d count as volitional friends.
So I wasn’t entirely surprised when he recently linked to a friend of his, applauding his pilgrimage to 333 Central Park West, otherwise known as the former home of Pauline Kael. Kael doesn’t get enough mention on Emdashes, but I know Emily and I both love her. Is this address widely known? I had never heard it before but I wouldn’t be surprised if hard-core Kael fans are well aware of it. I may drop by myself!
Here’s a pic, taken by Michal Oleszczyk:
kael_apt.jpg

What’s in This Week’s New Yorker: 07.20.09

Martin Schneider writes:
Just yesterday I asked for new Senator Al Franken to appear at the New Yorker Festival. Instead, we get the next best thing, a long article about his path to the Senate. Plus Hertzberg on Palin! Joy, joy!
A new issue of The New Yorker comes out tomorrow. A preview of its contents, adapted from the magazine’s press release:
In “Enter Laughing,” John Colapinto visits Al Franken on his second day as the junior senator from Minnesota, and examines the long, disputed electoral process that finally ended in victory for him on June 30.
In “Sheriff Joe,” William Finnegan profiles Joe Arpaio, the controversial, publicity-loving sheriff of Maricopa County (which includes Phoenix, Arizona), who is known as “America’s Toughest Sheriff.” Arpaio, who worked as a federal narcotics agent before running for sheriff, in the early 1990s, won national notoriety and the support of conservative voters for his harsh treatment of prisoners.
In “The Forbidden Zone,” Evan Osnos writes about Hu Shuli, the founding editor of the Chinese magazine Caijing, who is often described as “the most dangerous woman in China.”
In Comment, Hendrik Hertzberg analyzes Sarah Palin’s resignation speech.
In Shouts & Murmurs, Ian Frazier describes a climate-change summit in Hell.
Paul Rudnick recalls working on the screenplay for the film Sister Act.
Anthony Lane reviews Brüno.
Elizabeth Kolbert examines the obesity epidemic.
John Lahr attends the National Theatre production of Racine’s Phèdre, starring Helen Mirren.
Nancy Franklin watches Michael Jackson’s memorial service on TV.
There is an excerpt from an unpublished work by William Styron.

A Decade of Good Gets: Garry Kasparov and Nick Nolte, Together Again!

Martin Schneider writes:
Question: What do the following people have in common?
Steve Albini
Woody Allen
Pedro Almodóvar
Christiane Amanpour
Fiona Apple
Mikhail Baryshnikov
Samantha Bee
Björk
Manolo Blahnik
Doyle Brunson
T. Bone Burnett
Rosanne Cash
Cat Power
Tracy Chapman
Joel and Ethan Coen
Stephen Colbert
Steve Coogan
Wes Craven
Chuck D
Guillermo del Toro
Ani DiFranco
Matt Dillon
Clint Eastwood
Elizabeth Edwards
Edie Falco
Douglas Feith
The Flying Karamazov Brothers
Jamie Foxx
Ricky Gervais
Matt Groening
P.J. Harvey
Ethan Hawke
Salma Hayek
Buck Henry
Werner Herzog
D.L. Hughley
Eddie Izzard
Peter Jennings
Tommy Lee Jones
Garry Kasparov
Stephen King
Jeff Koons
KRS-ONE
Robert Klein
John Landis
Eugene Levy
Laura Linney
Rich Lowry
Mike Lupica
Reinhold Messner
David Milch
Nick Nolte
Peggy Noonan
Krist Novoselic
Conan O’Brien
Ric Ocasek
Cheri Oteri
Nick Park
Graham Parker
Mary-Louise Parker
Trey Parker and Matt Stone
Harold Ramis
John C. Reilly
Seth Rogen
Henry Rollins
Sonny Rollins
The Roots
Paul Rudd
RZA
M. Night Shyamalan
Sigur Rós
Paul Simon
Sleater-Kinney
Kevin Smith
Patti Smith
Jon Stewart
Oliver Stone
Tom Stoppard
Stanley Tucci
Rufus Wainwright
David Foster Wallace
Chris Ware
Gillian Welch
Robin Williams
Answer: They have all been participants of the New Yorker Festival at least once since 2000.
To my eye, anyway, they’re all plausibly people you wouldn’t automatically assume have been involved with the Festival, although if you have been following the event over the years, you know that the offerings are quite diverse. Whoever has been responsible for booking this event over the years is very good (or has deep pockets) (or both). I was present at exactly three of those events (Colbert, Milch, Stone).
And now they’re all tags in our bloggy content management system (if they weren’t already).
The 2009 New Yorker Festival takes place October 14-16. The participants will be announced in September. Personally, I’m hoping for Mark Sanford Newt Gingrich Sarah Palin Al Franken!

Infinite Summer: Location 2009

Martin Schneider writes:
Note: I’m participating in Infinite Summer, the widespread Internet book project dedicated to reading David Foster Wallace’s Infinite Jest. For more information, consult my introduction. My strategy has been to avoid lengthy commentary but instead list quintessentially Wallacean vocabulary and note other oddities, including Kindle typos.
Not much to say. Proceeding nicely, if slowly. Elements still accruing. Very impressed with the confidence of Wallace’s authorial voice, it’s like he’s constantly idling in a Porsche, knowing he can rev up to any speed he needs, whenever he wants.
The Wardine section is difficult to follow and perhaps mildly offensive, but you really have to admire the guts of any white American author who would put such a section in his novel. It reminded me of “Authority and American Usage,” Wallace’s essay about the grammar wars, reprinted in Consider the Lobster, specifically the section in which he describes the process of emphasizing to an African-American student the pragmatic importance of adopting Standard Written English (which speech duly gets him into trouble, much as the Wardine section threatens to get him into trouble).
The other thing I wanted to say is that I didn’t think the Schtitt-Mario section was very good. Wallace wants to introduce a perverse idea about the infinitude of embracing boundaries (or something), and I thought it could have been done better.
Onward!
location 1124: howling fantods, thanks to a certain DFW-dedicated website, a phrase famously associated with Wallace. I was not familiar with the word fantods. You?
location 1136: twitter
location 1155: phylacteryish
location 1158: nubbin of neck
location 1257: fair-diametered
location 1279: grille’d
location 1289 (endnote): ‘drine-stimulation
location 1292 (endnote): injury-‘scrip
location 1299: paragraph on “giving yourself away,” major theme for the whole novel.
location 1318: quail, used as a verb, nice.
location 1379: chiffonnier
location 1393: apocopes
location 1417: so-calledly ‘Recon-figured,’ not sure I like this, so much
location 1432: bluely
location 1454: pertussives
location 1455: megaspansules
location 1463: nebulizer
location 1470: opioid, someday someone will write a paper about DFW’s fondness for words with too many vowels crammed together like this.
location 1488: bolections
location 1489: reglets
location 1494: [[V]], Kindle’s representation of \/. Hmmm.
location 1520: G. Ford-early G. Bush, no, not that one. Sigh.
location 1525: homolosine-cartography
location 1525: optative, since there is a perfectly appropriate word optional, this strikes me as practically a solecism.
location 1530 (endnote): UNRE-LEASED, Kindle typo
location 1530 (endnote): Iimura
location 1530 (endnote): incunabular
location 1530 (endnote): pertussive
location 1530 (endnote): Concupiscence
location 1543: technical feck, cannot overstate how much I enjoy that turn of phrase.
location 1547: Cornell University Press, I do work for them sometimes.
location 1580: muscimole
location 1704: Dretske
location 1789: synclinal
location 1794: duBois-gesture, anyone know?
location 1812: and meant it: these three words embody the DFW touch.
location 1882: Lebensgefährtins, the word, meaning “significant other,” is given in the feminine form, a possibility the definition DFW provides seems to rule out. The proper word is Lebensgefährtes. Puzzling.
location 1888: leptosomatic
location 1904: plosivity
location 1946: Cantorian, of course, DFW would write extensively about Cantor in Everything and More.

Sempé Fi (On Covers): Peace Is Always Beautiful

7-6-09 Mark Ulriksen Sanctuary.jpg
_Pollux writes_:
The world is going to hell. Cabdrivers from Patagonia to Palau will tell you that; it’s part of their job to do so. What with Honduran coups, California crisis IOUs, bloody riots in Iran and Xinjiang, and the demise of the only person who could really moonwalk, one just wants to duck under the covers and wait for the all-clear.
But not all is bleak. There are little places of peaces around the world. As Barbara Tuchman writes in _A Distant Mirror_, her study on the fourteenth century, “starving peasants in hovels live alongside prosperous peasants in featherbeds. Children are neglected and children are loved… No age is tidy or made of whole cloth…”
In the synthetic cloth of our own age, the double-aughts or aughties, we have to sew in our own little patches of tranquility. “Mark Ulriksen’s”:http://www.markulriksen.com composition for the July 6 and 13, 2009 issue of _The New Yorker_, called “Sanctuary,” depicts such a patch of peace.
His female subject has slung a hammock and created for herself a makeshift tropical paradise in the middle of the city. It may be Saturday morning or Sunday afternoon; maybe she has taken a day off from work with an excuse about the flu (of the regular, rather than swine, variety).
She’s settled into a comfortable position; one leg hangs off the hammock. An arm is tucked behind her head. We have no idea what she’s reading but it must be good. She’s dressed comfortably; there’s a pitcher of ice tea nearby and a cat, perhaps her own, shaded by an umbrella.
Ulriksen’s rooftop is filled with color: the red and white stripes, the purple top she’s wearing, the green palm trees and vegetation, the lime green and eggshell blue deckchairs. Behind her the city, painted in earth tones, looms, but not threateningly so. Ulriksen’s city is not the darker city of “Eric Drooker”:http://emdashes.com/2009/05/sempe-fi-on-covers-forgotten-l.php, for example. His city’s earth tones evoke a summer sea strand, a busy beach -a vertical, pillared beach.
Ulriksen’s covers, done in his distinctive acrylic style of intentionally imperfect lines and perspectives, occasionally hit at some political target. Most recently, Ulriksen “depicted”:http://www.cartoonbank.com/product_details.asp?mscssid=3SBD4MH5TTGL9LLG0C3TX5ASG9BX3701&sitetype=1&did=5&sid=125570&pid=&advanced=1&keyword=undefined&artist=Mark+Ulriksen&section=covers&caption=&artID=&topic=&pubDateFrom=&pubDateTo=&pubDateMon=&pubDateDay=&pubNY=&color=0&title=undefined&whichpage=31&sortBy=popular John McCain as a Monopoly-playing Little Lord Fauntleroy-type figure, but if we go further back, we have Clinton “dancing”:http://www.cartoonbank.com/product_details.asp?mscssid=3SBD4MH5TTGL9LLG0C3TX5ASG9BX3701&sitetype=1&did=5&sid=50875&pid=&advanced=1&keyword=undefined&artist=Mark+Ulriksen&section=covers&caption=&artID=&topic=&pubDateFrom=&pubDateTo=&pubDateMon=&pubDateDay=&pubNY=&color=0&title=undefined&whichpage=34&sortBy=popular with Dole during the 1996 election; a “comment”:http://www.cartoonbank.com/product_details.asp?mscssid=3SBD4MH5TTGL9LLG0C3TX5ASG9BX3701&sitetype=1&did=5&sid=51155&pid=&advanced=1&keyword=undefined&artist=Mark+Ulriksen&section=covers&caption=&artID=&topic=&pubDateFrom=&pubDateTo=&pubDateMon=&pubDateDay=&pubNY=&color=0&title=undefined&whichpage=11&sortBy=popular on love and all of its forms; and that favorite subject of cartoonists and illustrators: a “gun-toting”:http://www.cartoonbank.com/product_details.asp?mscssid=3SBD4MH5TTGL9LLG0C3TX5ASG9BX3701&sitetype=1&did=5&sid=121930&pid=&advanced=1&keyword=undefined&artist=Mark+Ulriksen&section=covers&caption=&artID=&topic=&pubDateFrom=&pubDateTo=&pubDateMon=&pubDateDay=&pubNY=&color=0&title=undefined&whichpage=9&sortBy=popular Cheney.
For this summer cover, however, he’s giving us, and himself, a break from political tussles. After all the world has gone through, and has yet to go through, we could all spend a moment in a sanctuary of our own choosing.

What’s the Future of Print? Find Out Tonight at an NYC Panel With Emdashes Founder & Print Magazine Editor, Not to Mention Smart, Entertaining Others!

Emily Gordon writes in her other persona as editor of Print magazine, whose website is about to be completely relaunched, thank the Al Gore:
What’s going to happen to print (lowercase p)? If I figure it out by tonight, I’ll tell you! I’m on a panel about independent magazines at the Art Directors Club, 106 West 29th St. (bt. 6th and 7th), from 6:30-8:30 p.m. tonight. Yes, tonight! I know you’ve got a lot of summer invites, but this will be a lot of fun, and not depressing at all, I promise. I’d love to see you there, friends & fellow magazineers!
Here’s the full description:
colo_NY.jpg
On Wednesday, July 8, Colophon in collaboration with the Art Directors Club hosts a unique presentation and discussion about independent magazines entitled “The Future of Print.” This is an essential event for anyone involved in the creative industries.
In recent years, an explosion of independent magazines has reinvigorated the medium of print. Freed from the constraints of the mainstream, independent magazines continually innovate and experiment for their devoted readers around the world. Energetic, groundbreaking, and unafraid, these are magazines for readers who believe that print is still a vibrant medium. Colophon, in collaboration with the Art Directors Club, investigates The Future of Print through a panel discussion featuring editors and publishers from Capricious, Print, Woooooo!, and The Nation.
To celebrate the launch of the new book We Make Magazines–Inside The Independents, published in conjunction with the Colophon Independent Magazine Biennale, Colophon and the Art Directors Club in New York presents a unique discussion event, exploring key issues around independent publishing with major figures from New York’s independent publishing scene.
Panel Moderator: Andrew Losowsky, Co-curator, Colophon and Editor, We Make Magazines
Panelists:
* Sophie Mörner, founder and publisher, Capricious
* Emily Gordon, editor-in-chief, Print
* Jason Crombie, editor and founder, Woooooo!
* Claudia Wu, Me Magazine
Topics:
* What makes magazines special
* The secrets to publishing success
* The importance of creative independence
* Whether you can make money from a passion project
* What’s next for print.
Wednesday, July 8, 2009
6:30-8:30 pm
ADC Gallery
106 West 29th Street, NYC
ADC Members: Free
Non-Members: $5 at the door
RSVP by clicking the button below.